Paulson, Ronald (1992). Hogarth: High Art and Low, 1732–50 Vol 2. Lutterworth Press. ISBN 0-7188-2855-0.

Morning, Noon, Night by Soho House UK Limited | Waterstones Morning, Noon, Night by Soho House UK Limited | Waterstones

Morgan Edwards (2001). "William Hogarth: The Four Times of Day: Night". Wake Forest University . Retrieved 18 January 2007. In the morning, O LORD, You hear my voice; at daybreak I lay my plea before You and wait in expectation. Paulson, Ronald (2003). Hogarth's Harlot: Sacred Parody in Enlightenment England. Baltimore, Maryland: The Johns Hopkins University Press. ISBN 0-8018-7391-6.Shesgreen, Sean (1983). Hogarth and the Times-of-the-day Tradition. Ithaca & London: Cornell University Press. ISBN 0-8014-1504-7. On one side of the road is a barber surgeon whose sign advertises Shaving, bleeding, and teeth drawn with a touch. Ecce signum! Inside the shop, the barber, who may be drunk, [34] haphazardly shaves a customer, holding his nose like that of a pig, while spots of blood darken the cloth under his chin. The surgeons and barbers had been a single profession since 1540 and would not finally separate until 1745, when the surgeons broke away to form the Company of Surgeons. [35] Bowls on the windowsill contain blood from the day's patients. Underneath the windowshelf, a homeless family have made a bed for themselves: vagrancy was a criminal offence. a b Samantha Smith (2006). "The Awakening:Kent Print Collection Inaugural Exhibition:Keynes College, Canterbury" . Retrieved 18 January 2007.

Morning, noon, and night definition and meaning | Collins

a b c d e I. R. F. Gordon (5 November 2003). "The Four Times of the Day and Strolling Actresses Dressing in a Barn". The Literary Encyclopedia . Retrieved 18 January 2007. Shesgreen, Sean (1974). Engravings by Hogarth: 101 Prints. New York: Dover Publications, Inc. ISBN 0-486-22479-1. Lichtenberg, Georg C. (1966). Lichtenberg's Commentaries on Hogarth's Engravings. Trans. Innes and Gustav Herdan. London: Cresset Press.LORD, in the morning you shall hear my voice. In the morning I will lay my requests before you, and watch. St. Paul's Church". Survey of London: volume 36. British History Online. 1970 . Retrieved 11 June 2007. Hogarth took his inspiration for the series from the classical satires of Horace and Juvenal, via their Augustan counterparts, particularly John Gay's Trivia and Jonathan Swift's " A Description of a City Shower" and " A Description of the Morning". [2] He took his artistic models from other series of the "Times of Day", "The Seasons" and "Ages of Man", such as those by Nicolas Poussin and Nicolas Lancret, and from pastoral scenes, but executed them with a twist by transferring them to the city. He also drew on the Flemish "Times of Day" style known as points du jour, in which the gods floated above pastoral scenes of idealised shepherds and shepherdesses, [3] but in Hogarth's works the gods were recast as his central characters: the churchgoing lady, a frosty Aurora in Morning; the pie-girl, a pretty London Venus in Noon; the pregnant woman, a sweaty Diana in Evening; and the freemason, a drunken Pluto in Night. [1] William Hogarth Ronald Paulson (1993). Hogarth: Art and Politics, 1750–64 Vol 3. Lutterworth Press. p.596. ISBN 0-7188-2875-5.