Tritonaudio FetHead - Studio Preamplifier

£28.685
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Tritonaudio FetHead - Studio Preamplifier

Tritonaudio FetHead - Studio Preamplifier

RRP: £57.37
Price: £28.685
£28.685 FREE Shipping

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Instead, we are left with a glut of entry-level to mid-market audio interfaces, mixers, and mic preamps that offer 50 to 60 dB of gain at best. People who use high-output condenser mics will neither notice nor squirm at this development as these microphones have sufficient gain to produce clean recordings, assuming phantom power is available. Your Fethead will latch straight onto any XLR equipped microphone, or anywhere else in the signal path between microphone and preamp/mixer.The electronics are housed in a robust metal chassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use at home, in the studio or on tour. A preamp is what provides amplification. Mic preamps can come in different forms though and it’s worth covering those first as each one has it’s pros and cons. My old Alice Mic-Pak outboard preamp – lots of clean gain and doesn’t cost the earth. Types of Microphone Preamps Being a dynamic mic, the SM57 does not need phantom power. Although it shouldn’t damage it, it’s advisable to have phantom power switched off when using this mic. What’s the Difference Between a Shure SM57 and an SM58? However, you must remember that it doesn’t work with a USB-only mic because those microphones don’t create phantom power.

Good question! If you’re using an interface which is fairly standard in podcasting circles, a Focusrite Scarlett 2i2 for example, it has preamps for each of the mic inputs built-in. These will be fine for a condenser mic which outputs a hot signal but to get to the level you need when using a dynamic mic, you’ll need to crank up the gain. As we’ve already covered, all microphones need a amplification from a preamp to bring them up to the correct level. We’ve also established that some mics output a stronger signal and that dynamic mics generally need more amplification than condenser mics. One of the biggest fears of using a plug-and-play solution for passive ribbon and dynamic mics is getting enough additional gain. Despite its small size and ability to attach directly to your microphone, FetHead’s ability to increase the loudness of any sound input, whether for music or videos, should not be underestimated. Specs It also features a dedicated buffer amp to give you a consistent +28 dB gain boost regardless of the connected load. Moreover, it does a great job at rejecting RF and electrical interference, which makes it desirable for on-location use. Verdict With all 3 mic activators / inline preamps, I found that the interference was less noticeable with the inline preamp close to the mic while the interference become more apparent when the mic activator was near the audio interface after the 15-foot cable run.

Nevertheless, FetHead wins out where budgets are concerned. While both devices are well suited for budget or mid-tier mic choices, they are built to last and may outlive your current microphone’s lifespan. Keep this in mind when considering the differences between the two. FetHead Phantom is specially designed for condenser microphones. It works very well with all condenser microphones.FetHead Phantom is also an indispensable toolfor mobile recording and a real upgrade for camera microphone preamps, because it lowers the noise floor. You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. That’s not just my opinion; many people who were starting their streaming channels or podcasts grabbed a Blue Mic (Yeti or Snowball) or a similar USB microphone.

Due to their age, some ribbon microphones cannot handle phantom power. Although the Fethead uses phantom power to power up its circuitry, this does not pass to the microphone so your ribbons will be kept safe at all times. Specifications

Preamp for condenser microphones

Overall, the key differences in the FetHead vs Cloudlifter debate come down to small use-case differences. If you’re constantly performing on the road in small venues, FetHead’s portability may convince you.

Dynamic microphones such as this though do require more gain than a typical condenser mic but with gain can come noise and with noise comes more clean-up work in post, so it’s important to select a good preamp with a decent amount of clean gain. This has been our head to head for the two most popular products in the mic activation market. As you can tell, there are pros and cons to both devices. If you can handle a little extra noise in your recordings then the FetHead is the obvious choice, with its ultra-transparent high gain signal boost. If you are less concerned about coloration and are looking for a product that can prescribe gain based on what your mic needs, then the CL-1 is the activator for you. FetHead offers a strong signal without the needing to crank your preamp. In your search for solutions to passive ribbon or dynamic mics, you’ll likely come across many articles recommending preamps. These are honorable mentions, however, they are often too expensive for many newcomers to the music industry. Those who enjoy the equipment side of podcasting though may be more drawn to the GAP Pre-73 Mkiii for the lovely warm sound it produces. Whichever you choose, all of these options will do a great job of giving your SM57 the additional is gain it requires. Frequently Asked Questions Does a Shure SM57 need phantom power? It has been integrated with the FET technology that is responsible for amplifying analog and digital signals. Having said that, it will be able to yield clean signals with improved sensitivity, low noise, and better transient response.FetHead arrived in a small cardboard tube, hidden in a pouch inside. It was much smaller than expected, which was fantastic as I was worried it wouldn’t fit at the end of my SM7B, sitting on the arm. Of course, the winner and the most popular mic was Shure SM7B– the legendary vocal microphone used by broadcasters and studios around the world. This lightweight, portable, and easy-to-use activator adds gain without distorting the audio. If you have a low output ribbon or dynamic mic and an eye for simplistic, no-frills gear, FetHead should meet your needs and more. Cloud Microphones Cloudlifter I’ve referenced the regular FetHead for this post. However, Triton Audio also offers FetHead Filter that has an extra HPF feature and FetHead Phantom for condenser microphones. 2. sE Electronics Dynamite DM-1 (Highest Gain) Ribbon microphones benefit greatly too because of a much better impedance match. Fethead reduces the load on the microphone, giving it better transient response characteristics. FetHeads low noise signal amplification also extends the usable range of a ribbon microphone, making it more suitable to capture softer sound sources.



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