Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Brando and Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward - their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. Much later in his career, Newman’s voice became an equally striking feature. Unlike the eyes, the voice had to be earned; it was no pretty boy’s birthright. Decades of smoking, drinking and pain produced a rusty baritone that could narrate its way to the very soul of a man’s regret. Newman’s voice settled into its terminal register in the 1980s, in movies like “Absence of Malice” and “The Color of Money.” His world-weary characters could still get the girl, but the right one had long since gotten away. By the end of his career, Newman spoke with a lovely white-haired softness as a sort of national grandfather, teaching a boy to use a watch in “Nobody’s Fool” (1994) and describing the rules of the road in Pixar’s animated “Cars” (2006). Millions of children know him by his voice alone.

I liked this one and I love the cover. It felt like a candid look into the life of Paul Newman. I liked that he owned his life decisions, both the good and maybe the not so good. And I liked the way he covered the issues with his parents without playing the "woe is me - victim card". He had a reputation for being a private person so I was pleasantly surprised how much he shared his thoughts and feelings of his childhood, career, marriages and fatherhood. He sought therapy over the years and I'm sure that led to quite a bit of reflection about his life. He's self-deprecating, to a fault in my opinion, but it also shows he didn't have a massive ego. He knew he had flaws, he knew there was always room for improvement. I always liked him as an actor but after reading this memoir, I have mad respect for him as a man. I thought I knew quite a bit about his life. Turns out, I knew next to nothing. From the long standing affair he had with Woodward, prior to his divorce and marriage to her, to the death of his beloved only son, I learned so much about his upbringing, his marriages, parenting and most importantly, his philanthropy. Per his daughter, “his obituary in the economist noted he was the most generous individual, relative to income, in the twentieth century history of the United State. He was also incredibly loyal to his friends and helped beyond what most people would do. I know of a few times he gave up part of his salary to his co-stars to level the playing field. He strove for fairness in all things.” The later part of his life when he started his philanthropic organizations and camps for children, he continued to question his life and motivations. His love of car racing continued throughout his later life, and he was quite successful personally and professionally with his racing team. It was also interesting to hear about his view of or relationship with other actors and directors.Read by Jeff Daniels, Melissa Newman, Clea Newman Soderlund, Ari Fliakos, January LaVoy, John Rubinstein and Emily Wachtel Danger ejected him from this state of anaesthesia. Hence his obsession with racing cars, which began with a movie role as a grand prix driver in Winning but took him “outside that fictional experience into something real and quite primitive”. More culpably, he also urged his son, Scott – an addict and an unsuccessful actor, with whom his relationship was “a dance of death” – to take high-speed risks on the road. At one lacerating moment, Newman recalls that he considered shooting himself to rid Scott of “the affliction that was me”; in the event, it was the unhappy Scott who died prematurely. In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. It would make my life a lot easier if whenever someone stopped me on the street and asked, “Ooh, let me take your picture,” I said OK. But that would draw another 12 people over, and that would draw some more people, and you stand there signing autographs while politely asking them about their mother and father. Newman was predisposed to addiction and alcohol. He compensated his drinking with physical fitness and long saunas.

This unforgettable and extraordinary memoir, one of the best and most compelling books of 2022, is a breathtakingly honest mea culpa from a complicated man striving to excavate his demons; according to Newman's daughter Clea, who writes the memoir's afterword, he succeeded in his final decades. Paul Newman died in 2008 but he had been working on his memoirs since 1986. After he died his family and friends set about trying to finish this project. It took about 5 years and I think it was well worth the wait. This is a surprisingly candid look into Paul Newman’s own life, the good, the bad and the ugly. I have lived in Cleveland and its suburbs my entire life and always find it interesting how many famous actors, athletes and writers have come from Northeastern Ohio. Mr. Newman’s birthplace of Shaker Hts. is very familiar to me with its economic and religious diversity. While he relates that he and his family were well off financially in his early years, emotionally he felt on his own or smothered by his mother for only his outer appearance. His and his mother’s relationship would be tumultuous for her entire life. In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman's family and friends and those who worked closely with him, talk about the actor's life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. Drawn from conversations between the late actor Paul Newman and screenwriter Stewart Stern, The Extraordinary Life of an Ordinary Man sees the Cool Hand Luke star reflecting on a life marked by dizzying success and psychological pain. The interviews, which took place over five years from 1986, were seemingly forgotten until Newman’s children unearthed them in 2019 and turned them into this memoir-cum-oral history.The Last Movie Stars". Сериал, посветен на въпроса, как може да си звезда, и все пак да останеш женен за една и съща жена 50 години, да преживееш самоубийството на сина си, да участваш в движението за граждански права на Лутър Кинг, да дариш милиони за грижа за болни деца и наркомани като насмешливо сложиш лика си върху домашен сос из супермаркетите и същевременно живееш на ръба като автомобилен състезател.

Newman at his best…with his self-aware persona, storied marriage and generous charitable activities…this rich book somehow imbues his characters’ pain and joy with fresh technicolor.”— The Wall Street JournalDo I really want to watch eternal faves like THE HUSTLER, ABSENCE OF MALICE, SLAP SHOT, NOBODY'S FOOL and think about what a shitty young husband and father Paul Newman was? How mean he could be when he was drunk? That he didn't speak to his mom for fifteen years? Newman’s often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward—their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. The raw, candid, unvarnished memoir of an American icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, John Huston, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, George Roy Hill, Tom Cruise, Elia Kazan and many others. The Extraordinary Life of an Ordinary Man is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound.

This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by I was glad to get an inside look at an amazing actor who was a flawed human being who managed to make it to the top in Hollywood – one of the hardest places to make it at all.As seen in The Last Movie Stars documentary - t he raw, candid, unvarnished memoir of an icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, Tom Cruise and many others. The one thing I’ve always admired is excellence. I recognize it in almost anything: plumbers, museum guides, limousine drivers, bank tellers—I delight in seeing it. Maybe we choose those arenas in which we have the best chance for excellence. For me, maybe that’s acting, or being somehow connected to the theater, or capitalizing on the way I look, or fooling people” Newman was a fine driver, who was famous in Hollywood for doing his own stunt driving as often as not.' Ron Dennis, Formula 1's McLaren Chief