Until its concluding paragraph, the rest of this chapter consists entirely of dialogue between Mr. and Mrs. Bennet. Dialogue occupies much of Jane Austen’s novels, and presentation of character through dialogue is one of her fortes. In this case, Mrs. Bennet’s excitable exclamations and exaggerated phrasing reveal her flightiness and impetuousness, while Mr. Bennet’s terseness and irony reveal his cool detachment. True story: I was rummaging through and throwing away lots of my old papers and souvenirs a few weeks ago and happened to run across my 30+ year old notes from a college course where we studied Pride and Prejudice. I can't believe I still had them! Some of those P&P notes were actually pretty insightful, so in this review I've included some of the more interesting observations from my long-ago class. Hope you enjoy! (ETA: Now with bonus texts and memes) Another aspect of the novel that really resonates is just how visual it is. Austen has a gift for description and this quality has lent itself to many visually stunning film adaptations. Austen excels at embedding much of her social commentary into her depictions of settings and characters, such as Elizabeth’s first visit to Darcy’s house, with ‘ high woody hills’ and a large, tall garden surrounding a the house, ‘ a stream of some natural importance was swelled into greater, but without any artificial appearance.’ This is a major insight into Darcy as a character: a man without artifice and full of ‘ natural beauty’ that he keeps hidden from view. His arrogance is merely his grandiose garden that obscures the him beneath the exterior. Similarly, judgements on character are often made in dialogue that focuses on aspects of dress or decor. ‘ By describing a material object,’ Roland Barthes writes in The Language of Fashion, ‘ if it is not to construct it or to use it, we are led to link the qualities of its matter to a second meaning.’ The criticisms of taste are, in this regard, a criticism of character, so when Caroline and Louisa talk at length about the mud on Elizabeth’s petticoat, we can infer they are telling us they find her herself to be wild, unkempt and unruly. It is in ways such as these that Austen can make such keen observations that don't announce themselves yet amalgamate to portray a life-like impression of a society that thrives on gossip and social interactions that are plotted like chess pieces moving across the board.

I have been meditating on the very great pleasure which a pair of fine eyes in the face of a pretty woman can bestow." Pride and Prejudice is simply a joy to read, a dance of manners and affection between the leads and a parade of human silliness in the supporting cast.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War. Read more Details

My Review: All right. All right, dammit! I re-read the bloody thing. I gave it two stars before. I was wrong-headed and obtuse and testosterone poisoned. I refuse to give it five stars, though. Look, I've admitted I was wrong about how beautiful the writing is, and how amusing the story is. Don't push. This is a lovely book. It’s beautifully written, it’s funny, it’s filled with characters who feel full and real and different from one another (even though half of them have the same name), and it truly is the best love story ever told. The perfection of this novel is amazing and until today it´s difficult to impossible to name another book that has the same character development, hidden social critique, and amazing characters in a classical setting dealing with the grievances of an epoch. So less action and so much suspense just created by the inner perspective of the main protagonists that it´s a pleasure to read and reread. I just can´t get behind how Austen could write like a goddess and what makes each scene, word, setting, and plot twist so smooth and easy-going, while diving so deep under the skin of this bizarre, ancient society. Affectation of candour is common enough — one meets with it everywhere. But to be candid without ostentation or design — to take the good of everybody’s character and make it still better, and say nothing of the bad—belongs to you alone." NOTE: The review you are about to read was written in 2009. 2009! That's over 10 years ago! I was 17 and thought I was the smartest person ever! In all honesty, I barely remember this book. So, negative comments regarding my intelligence are no longer necessary. They will be ignored. As they have been for probably 7 years now. CARRY ON!Stephen Sullivan, who rated this with six stars of five, is now on a summer travel break from Goodreads, so I can publish this admission: He was right. It is a wonderful book. I had to grow into it, much as I had to grow into my love for Mrs. Dalloway. But now that I'm here, I am a full-on fan. In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”

Bonus! A studious and completely objective discussion of the merits of the leading actors and actresses in the major P&P movies and TV miniseries. Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her teenage years until she was about 35 years old. During this period, she experimented with various literary forms, including the epistolary novel which she tried then abandoned, and wrote and extensively revised three major novels and began a fourth. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it. Austen's heroines are famously caught between love and money are famously criticized for always getting both in the end. I've got no problem with this wish fulfillment. Keep in mind that being married is basically the only possible 'job' available to a woman of her position--marrying a rich dude is the only viable escape from the life of poor-relation dependency Austen herself lived, there's nothing reactionary or anti-feminist about it. The other option--becoming a governess--is barely respectable, putting a woman into an ambiguous class limbo of social invisibility that translates directly into a loss of safety and self-governance. Expecting Elizabeth to, what, become a doctor? is silly and anachronistic, and perhaps if that's your preference you'd be better off reading Clan of the Cave Bear, with Ayla and her bearskin bra, or what have you. The theme of self-discovery works hand-in-hand with the theme of marriage, and the tension between economic interest and romantic feelings. Both pride and prejudice are obstacles not just to understanding others, but to knowing oneself. Elizabeth learns about herself from several other characters along the way:After 62 chapters, there is nothing that happens. There is barely a story to the story, at least not one that could be remotely interesting...even to people who like romance. In the age of bodices, there is nary a one that is ripped open, let alone one that is undone with the gentle exploring fingers of a lover. Insightful notes highlight Austen’s artistry and point out the subtle ways she develops her characters and themes. From the very beginning— from the first moment, I may almost say— of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry.’

Plus Jane Austen is totally my soul sister. I declare after all there is no enjoyment like reading! How much sooner one tires of any thing than of a book! -- When I have a house of my own, I shall be miserable if I have not an excellent library. If you’re looking to get into reading Austen, or even classics in general, I really think Pride and Prejudice is the place to start. It’s a smooth read and the story is so well known it will be easy to follow. [👈 This is me trying to be subtle when actually I want to shout at everyone to read this book 😁 Normally, I use one star for books that I just can't finish and if I wasn't an aspiring author, I wouldn't have bothered to get through half the book, but since I did... and when I compare it to yawner like A Tale of Two Cities, I had to bump this one up a notch. Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us.’The novel also offers a fascinating glimpse into the world of Georgian England, with its elaborate rituals of courtship, marriage, and social etiquette. Austen's keen observations of the manners and customs of the time, and her wry commentary on them, provide a richly detailed portrait of a bygone era. But at the same time, her characters are universally recognizable and relatable, making the novel as relevant today as it was when it was first published. Mrs. Bennet’s knowledge of Bingley’s income, before he has even arrived, reveals the speed with which vital information about people could circulate. Local gossip played a central role in this society, greatly assisted by the many servants in employment, who could convey the secrets of their household to other domestics and townspeople. This means of spreading information is mentioned later in this novel, as it is in other Jane Austen novels, most notably in Emma. No sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes ...' We have Elizabeth Bennet who does not care about societal expectations. She will not marry for anything less than love and mutual respect. And would rather marry no one than marry someone she couldn’t love. For the time that this book was published, this was revolutionary as women had little power and choice.