The Hollow Crown: The Wars of the Roses and the Rise of the Tudors

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The Hollow Crown: The Wars of the Roses and the Rise of the Tudors

The Hollow Crown: The Wars of the Roses and the Rise of the Tudors

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In this follow up to his book, The Plantagenets: The Warrior Kings and Queens Who Made England, I felt the author, Dan Jones, has done an admirable job of explaining the whys and wherefores of the struggle that became known as the Wars of the Roses. Starting with the death of Henry V, Mr. Jones looks at how the English experience in France, the end of the 100 Years War, and the inability of Henry’s son, Henry VI, to be an effective ruler led to the conditions that gave rise to the civil war. I felt Mr. Jones did an excellent job of explaining just how Henry VI’s mental instability led to the generation long civil war. Even when he was all there, Henry’s inability to be a medieval monarch led to many in the nobility, including his cousin Richard, Duke of York, to contemplate replacing him, first as regent and later as King. After Richard’s death at Wakefield, his son Edward takes up the claim to eventually defeats Henry’s supporters to become Edward IV.

The course of the Wars are vividly and excitingly told, and their results are often as poignant as they are glorious, the array of battles that mark their course fall into place in the tale, some might have heard of Towton or Bosworth but there aren’t many contemporary books that put them in their place amongst the others, thus book does this and it’s great to be able to be able to put it all together. I’m a little unsure how the author has decided that a poleaxe and a bill are the same weapon, though certainly part of the same polearm family, but that was the only thing that made me raise an eyebrow.Having said that he does admit that possibility esp in Edward’s case, his contempories certainly thought so - thus the legendary manor of his death Executive producer Pippa Harris stated, "The critical and audience reaction to The Hollow Crown series set the bar high for Shakespeare on screen, and Neal Street (Productions) is delighted to be making the concluding part of this great history cycle. By filming the ‘Henry VI’ plays as well as ‘Richard III,’ we will allow viewers to fully appreciate how such a monstrous tyrant could find his way to power, bringing even more weight and depth to this iconic character." [3] Jones moves smoothly through the numerous battles that took place up and down the land, and keeps the reader on top of the dizzying changes of loyalties that characterised the period as the Crown became a plaything of the man with the biggest army. It is with a sense of relief, that must echo that of the population of 1471, that we read of the triumph of Edward IV at Tewkesbury, bringing a King to the throne who had something of the skill, tenacity and strategic brilliance of Henry V: a man whom the vast majority of Lancastrians were willing to accept as King, with Edward of Lancaster dead. The murder of Henry VI was skated over by most people as a little local difficulty. Unlike most historians, Jones does not bring the Wars to a close in 1485, or 1487 with Henry VII's victory at Stoke. He goes on to show how the lingering suspicion, the fear that any plausible rogue with an army could emulate the success of Henry in overthrowing an anointed monarch, slowly poisoned Henry's reign and led to the imprisonment and execution of almost anyone with a vague claim to the throne.

Jones, Dan (18 June 2013). "A scare could be just what the Lions needed". London Evening Standard . Retrieved 23 July 2014. The Hollow Crown is exhilarating, epic, blood-and-roses history . . . Jones’s material is thrilling . . . There is fine scholarly intuition on display here and a mastery of the grand narrative; it is a supremely skilful piece of storytelling.’ Sunday TelegraphPerhaps this is why this tumultuous series of conflicts, the biggest until the Civil Wars of the 17th century, have remained a conscious part of Britain’s history. There can be no doubt though that they were nation shaping events, as well as nation shaking times. Thanks to Shakespeare most of us think we know the broad strokes of the Wars of the Roses, yet do we really? All the while the Tudors slowly step more and more into the limelight while the Plantagenets begin tearing each other apart, then finally take the stage. The road to the 1st Battle of St Albans is well told. Making clear a tortuous path of typically complex medieval manoeuvring, between the King, his wife Margaret, and the Dukes of Suffolk, Somerset and York. The seesaw nature of these protracted conflicts makes for exciting reading and all the big battles are there, their consequences to see. The BBC aired the concluding series in 2016 as The Hollow Crown: The Wars of the Roses, a reference to the series of English civil wars known as the Wars of the Roses, [4] starring Benedict Cumberbatch, Hugh Bonneville, Judi Dench, Sophie Okonedo and Tom Sturridge. The plays were produced in 2015 by the same team that made the first series of films but were directed by the former artistic director of Royal Court Theatre and Olivier Award winner, Dominic Cooke. [5] They are based on Shakespeare's first tetralogy: Henry VI, Part 1, Henry VI, Part 2, Henry VI, Part 3 and Richard III. [6] The adaptation presents Henry VI in two parts, incorporating all three Henry VI plays. Benedict Cumberbatch was nominated for the BAFTA Television Award for Best Leading Actor and The Wars of the Roses was nominated for Best Mini-Series. [7] When it comes to history, nothing is more fascinating to me than the history of the families designated as Royalty and their nobles. If you look throughout history, there are not many families or dynasties that you can find who would be more fascinating than the Plantagenets. From the beginning of their rule in England in the 1100s, to the splintering of their family into the Lancasters and Yorks, and on to the takeover of England by the Tudors, the Plantagenets have had a huge affect on the history of England and Great Britain. To me, they are the dynasty that all other Royalty, English and other, are measured by. Jones is a journalist whose love of Medieval history was fostered at Cambridge. It is a passion he is keen to share, and if he is hoping to tempt readers away from Nazis, Tudors, or historical fantasy fiction, he succeeds brilliantly in this exhilarating real-life game of thrones.



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