The nano version of the second version of the Muff from 1973, also known as Ram’s Head, is the last reissue in the nano series for now. I am using a Marshall 1959HW 100 watt Super Lead amp that has has component upgrades by the great George Metropoulos of Metro Amps. The Big Muff was designed by Mike Matthews and Electro Harmonix in the late 60s. It was a unique take on the still new fuzz circuit and during a time when guitarists had only a few pedals to choose from. Get the original, incredible, legendary Russian Big Muff sound from a brand new, pedalboard-friendly pedal. Power Supply: 9-Volt battery or optional 9V power supply from Electro-Harmonix, 9.6DC-200BI (same as used by Boss™& Ibanez™) 9.6 Volts DC, or other AC adapters capable of delivering at least 30mA.

Kind of funny Bjorn, the first post I made after receiving my V2 I too capitalized EXACTLY, and said almost the same sentence, ” It’s amazing, it sounds ?EXACTLY like David’s Animals muff, which I believe is the #1. I have my own #1 of 15 now!” I don’t feel quite as alone now. The 3 YouTube clips of the V2 sound NOTHING like the pedal when properly used. The guys who posted those videos either are not Muff guys, or the clips were recorded on phones. That is why I haven’t posted a clip yet. I wanted to be sure to capture exactly what I was hearing from my amp before posting a sub standard clip. I now have the gear to properly record it, and it is forthcoming. Electro Harmonix finally decided to celebrate their own legacy and put out reissues of their own classic Big Muff circuits. It seemed strange that so many clones had been flooding the marked for decades, while Electro Harmonix seemed determined to focus on spin-offs. In 1978, the transistors were switched out for op-amp ICs. These Muffs were more consistent and standardized than their predecessors. This op-amp Muff was Billy Corgan’s favorite, and it defined the sound of Siamese Dream. The V5 revision included a tone bypass switch, which removes the eq section from the circuit, increasing the output level and changing the midrange response. As the names of both pedals suggest, Jimi Hendrix's sound was a major inspiration for those pedals, and for their successor: the Big Muff! According to Electro-Harmonix founder Mike Matthews, Hendrix actually had a Big Muff and was impressed enough to useit on some sessions. Anyways, I dig most everything that comes from David Gilmour, so I’m not trying to nail a specific era. Is the Iron Bell more versatile than the Musket regarding Gilmour’s tone? Or does one pedal capture the other pedal’s capabilities well enough?

Success

Power: 9V battery only. To connect to a standard Boss type AC power supply, use a 9V 100mA battery adaptor like the 1 Spot CBAT . See POWER section below. Why was this pedal called a "Big Muff"? Maybe this explains why this Germanium 4 Big Muffis not as popular as it should be - it's one of the best distortion pedals Electro-Harmonix has ever made but sounds nothing like a Big Muff!

Keyboardist Mike Matthews founded Electro-Harmonixin 1968. The first pedal made was the Linear power booster. One of EHX’s best-known pedals is the Big Muff, along with the Memory Man. The first version of the Muff appeared in 1969, it was not until 1971 that the Muff was sold. The name of the pedal ‘Muff’, according to Mike Matthews, is an abbreviation of “muffled”– which means muffled. That is special because the sound of a Muff cannot be called muted in the slightest. A brief history Sometimes called the "Op-Amp". This version features one less gain stage and Op-Amp chip circuitry, but is housed in the same classic enclosure as its predecessor, the 1977 V3. It's all here in one integrated pedal. The Sovtek signature sound. The devastating low end, crisp highs and non-scooped mids, plus the advanced control of the Deluxe Big Muff in a single, completely integrated pedal. David Gilmour got his first Big Muff, a Ram’s Head model, around 1975 or early 1976, depending on which source you read, and it was used extensively on the recording of Animals. The Big Muff is still one of his main distortion or fuzz pedals to this day. Fuzz or Big Muff? Shown above - (left) An original Sovtek Green Russian with the Green Russian reissue, and (right) EHX engineer

Wren and Cuff Tall Font Russian

I am looking for low noise and bedroom suitability. The Buffalo stuff looks really good, although pricey. I would appreciate your advice on the 2-3 pedals that you think would round out my setup. I am not seeking a specific tone from any period; I just want it to be Gilmourish.

A year later a second Russian version was released, this time again under the name Big Muff. This version is also known as “Civil War” because of the blue and gray US Civil War colors. 1994 – Green Russian Big Muff Pi (V7) The Fuzz pedal is the only option when you need REALLY gritty dirt. Here are our 6 best fuzz pedals you must try before you die, MIDS EQ: Parametric MIDS EQ section with a selectable center frequency ranging from 310Hz to 5.0kHz, a level control with up to 10dB of boost or cut and a high/low Q switch that sets the resonance/bandwidth of the EQ Here’s an example of its sound: The JHS Big Muff Sample – Bass The JHS Big Muff Sample – Treble JHS Muffuletta Review: Final Thoughts The third edition retained the same bubble-font graphics, but the box changed to a six-screw, folded sheet metal box with a metal battery door cover. The letters CE were added to the box end graphics. The CE marking certified that a product has met EU (European Union of 27 member states with an economic and political standard) consumer safety, health or environmental requirements. The enclosure transition and graphics transistion did not happen at the same time, so there are some cast metal boxes that have the bubble font graphics from the third edition.BLEND: Mix control for the dry and distorted signals. Enables bass players to retain their signal’s low end; also useful when layering in other distortion pedals To give us a relatively clean sample, I played the first two ditties through an Orange Crush practice combo with all of the dials set to medium. Here’s what came out: Control 1 – Bass Control 2 – Treble While working on the Smashing Pumpkins' massive Teargarden by Kaleidyscope project in 2009, Billy Corgan revealed in a blog that he used a vintage late 1970s Big Muff for Siamese Dream, which appears to be an op-amp Big Muff. I have written about it in this section . So how does the Creamy Dreamer pedal actually sound? Read my review HERE