THE BOOKS OF ALBION: THE COLLECTED WRITINGS OF PETER DOHERTY.

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THE BOOKS OF ALBION: THE COLLECTED WRITINGS OF PETER DOHERTY.

THE BOOKS OF ALBION: THE COLLECTED WRITINGS OF PETER DOHERTY.

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Then I remember a golden period which was after we got Withdean in the early 2000s, all our support was away supporters because we didn’t have a ground big enough to hold the fans. There is much here to ponder on, to chew over, to debate and to reconsider. It's a way to understanding ourselves, our beliefs and our desires, the ways in which we create our own realities – and, therefore, how we shape our own future.' The final section of the book lists twenty-five Holy Wells that the author recommends visiting in England and Wales - here each is accompanied by a photo. The addition of a map would have been an added bonus. I have felt stimulated to visit some of those which are closer to me very soon.

The Whittlecreek and Eaton St Torpid Heritage Railway employs a General Manager (who does not like being called 'The General'), a formidable Property Manager (who does likes to be referred to as 'The PM'), a witticism-infested Operations Manager who socialises each week with the neophobic Workshop Manager, and a Gift Shop Manager (deemed 'nice but useless'). Eexplore Fairy Traditions draws on legends, ballads and testimony from throughout Britain and Ireland to reveal what the fairies were really like. It looks at changelings, brownies, demon lovers, the fairy host, and abduction into the Otherworld. Stories and motifs are followed down the centuries to reveal the changing nature of fairy lore, as it was told to famous figures like W.B. Yeats and Sir Walter Scott. All the research is based on primary sources and many errors about fairy tradition are laid to rest. Leicestershire and Rutland is fortunate in having more such carvings than in adjoining counties, although this wealth of medieval art has been unjustly overlooked by church historians. These depictions provide a unique insight into the often rather disturbing thinking of the craftsmen who carved them many hundreds of years ago, people who are otherwise almost entirely invisible from historical records. In 2010, artist Mark Sheeky donated the 2008 painting "Two Roman Legionaries Discovering The God-King Albion Turned Into Stone" to the Grosvenor Museum collection. [35] See also [ edit ]Although contemporary documentary sources for the earliest churches are now non-existent, and the archaeological evidence scant, in contrast the topography of their locations is usually little changed, and offers hitherto-ignored insights.

This finely-constructed and very informative text is for all Pagans who give time and space to positively thinking about our relationships with the sacredness of our prehistoric landscapes.' The result is entertaining and erudite, broad and iconoclastic, scholarly but frequently nicely naughty. The range is stunningly eclectic and the style easy, evocative and witty. Holy wells were once widespread throughout Britain. They were often dedicated to local saints and were important features in the medieval sacred landscape. Over many centuries, pilgrims sought the healing powers of their waters, and many left votive offerings in the form of bent pins, coins and rags. Apart from a few people in universities studying folklore or mythology these questions may seem strange. In this booklet Bob Trubshaw suggests that, far from being strange, folklore and mythology – at least as understood by academics – are key to understanding the processes by which we create our all-encompassing 'social reality'.

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they set forth from the henge to its precursors on Windmill Hill and West Kennett long barrow, then This essay is intended to be both an investigation of Anglo-Saxon worldviews and also to offer inspiration for modern day rituals. It is difficult to exaggerate the service Jeremy Harte has done the study of hydrolatry in English Holy Wells.' We are not alone. In the shadows of our countryside there lives a fairy race, older than humans, and not necessarily friendly to them. For hundreds of years, men and women have told stories about the strange people, beautiful as starlight, fierce as wolves, and heartless as ice. These are not tales for children. They reveal the fairies as a passionate, proud, brutal people. After many adventures, Brutus and his fellow Trojans escape from Gaul and "set sail with a fair wind towards the promised island". [18]

Rayburn, Alan (2001). Naming Canada: Stories about Canadian Place Names. University of Toronto Press. p.16. ISBN 978-0-8020-8293-0. Sacred Places … is a very valuable addition to the small body of thoughtful work on the spiritual landscapes of Great Britain and therefore recommended reading.' For this brief publication, I have collected five tales taking us from misty years following the collapse of Roman rule in England – a time when it is hard to distinguish between history, myth and legend – through until the arrival of the Normans when, after over 600 years of almost constant instability, some kind of normality returned to English life.

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In Explore Folklore Bob Trubshaw includes a chapter on British folk art, noting how little this has been studied compared to, say, American folk arts and crafts. Sadly a decade later, despite a handful of projects, this is still broadly true. Jill Bourne is an historian, archaeologist and museum professional who has specialised in the area of place-name studies and landscape history for over 20 years. This is a book about railways such as has never been told before. Wonders and blunders, supernatural experiences, ritual customs, and a wealth of weird tales that sound as if they might be true. But surely they aren't? Or are they? Although seemingly light-hearted with its glorious cover art, whimsical storytelling manner and presentation as the ramblings of an old witch, Leicestershire Legends has the same serious intent as the other books produced by Heart of Albion Press. Whilst the form may belie it, the content is an important work recording both local lore and its likely interpretation… all told in marvellous prose.'

This short booklet does not claim to offer a detailed understanding of the construction of social reality. Instead it suggests some fruitful directions for further thinking. The result is both enlightening and empowering. Alby Stone write in clear and concise English, with a minimum of jargon and an occasional twinkle of humour.' Withowinde There have been fascinating developments in the study of folklore in the last twenty-or-so years, but few books about British folklore and folk customs reflect these exciting new approaches. As a result there is a huge gap between scholarly approaches to folklore studies and 'popular beliefs' about the character and history of British folklore. Explore Folklore is the first book to bridge that gap, and to show how much 'folklore' there is in modern day Britain.The author has recorded a host of hitherto unknown and inaccessible medieval carvings the first time – and possibly for the last. They include such creatures as dragons, griffins, hounds, stags, heraldic creatures, a basilisk, the devil, a woman in childhood, and many others. However many of the hunk punks are suffering seriously from the effects of wearing, and some, without costly restoration, may not survive for many more years. English Holy Wells comprises three volumes. Volume One is supplied with a CD-ROM of Volumes Two and Three to make the complete work available at an affordable price. Recurring throughout this book is the idea that we continually create and re-create our ideas about the past, about landscapes, and the places within those landscapes that we regard as sacred. For example, although such concepts as 'nature', 'landscape', 'countryside', 'rural' and the contrast between profane and sacred are all part of our everyday thinking, in this book Bob Trubshaw shows they are all modern cultural constructions which act as the 'unseen' foundations on which we construct more complex myths about places.



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