CEPEDA, Raquel (ed.), And It Don’t Stop! – The best American Hip-Hop Journalism of the last 25 Years, Faber and Faber, New York, 2004. FORMAN, Murray, NEAL, Mark Anthony, That’s The Joint! – The Hip-Hop Studies Reader, Routledge, New York, 2012. The main conceptual methods of musicmap to achieve a satisfactory equilibrium consist of grouping closely related genres together (“sibling genres”), color coding much larger genre groups (“super-genres”), and introducing a deeper layer of lesser influential subgenres. Hereby the total amount of the intermediate or main genres could be reduced to 234. This is deliberately far from the possible total amount of genres (approximately 600 or more, some sources claim over 1000) to enable easy orientation and good overview. GASSEN, Timothy, The Knights of Fuzz – The New Garage & Psychedelic Music Explosion, Garage Nation, Tucson, 2014. One thing to mention is that you don’t have to use a crotchet (quarter note) to represent one beat.

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LOEVE, Hans (ed.), Fisk Gospelencyclopedie: Alles over Gospelmuziek en Relipop, Boekencentrum, Zoetermeer, 1996. PACHET, Francois, CAZALY, Daniel, A Taxonomy of Musical Genres, at: Content-Based Multimedia Information Access Conference, Paris, 2000.

COOK, Nicholas, POPLE, Anthony (eds.), The Cambridge History of Twentieth-Century Music, Cambridge University Press, Cambridge, 2004. DALLING, John M., History of Trance Music – History of Chillout Music – History of UK Hardcore – History of Speed Garage, 2013-2013-2006-1998. MADRID, Alejandro L., Nort-Tec Rifa! Electronic Dance Music from Tijuana to the World, Oxford University Press, New York, 2008. MOORE, Allan, The Cambridge Companion to Blues and Gospel Music, Cambridge University Press, Cambridge, 2002. The bottom-up method starts from the determined amount of music genres and places them in a two-dimensional space. Their coordinates are based on the genre-defining characteristics and thus similar genres are located close to each other. Once again, parametrically based programming to create this chart is nigh impossible as the characteristics (parameters) are too broad, not entirely measurable, and even variable in importance (weight). The benefit from this method is that super-genres will eventually emerge as amorphous zones, overlapping and connecting other super-genres at various points. This is a more realistic visualization of the musical genre network, though still limited by two-dimensional constraints.

Musical Tree | Guernsey with Kids Musical Tree | Guernsey with Kids

It starts with a semibreve (whole note) at the top, which can be split into two minims (half notes). Two minims are equal to one semibreve, which is why they’re called half notes, as they’re half of a whole note.

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Parents/carers participation is encouraged in my classes to help grow the child’s passion for music; SANTELLI, Robert, GEORGE-WARREN, Holly, BROWN, Jim (Eds.), American Roots Music, Harry N. Abrams Inc., New York, 2001.

Musical note tree in Mammoth Music Musical note tree in Mammoth Music

MOORE, Thurston, COLEY, Byron, No Wave – Post Punk. Underground. New York. 1976-1980, Abrams Image, New York, 2008. Promoting rich and interesting music shouldn’t compromise the fun and creative process of learning; STEENSMA, Frans (ed.), Lavrijsen, Annette (ed.), All That Jazz – Het Jazz-Soul-Urban-World-Blues-Singer/Songwriter Boek, Uitgeverij Carrera, Amsterdam, 2009. FABBRI, Franco, A Theory of Musical Genres: Two Applications, in: Popular Music Perspectives, pp.52-81, 1982. Recalling traditional wooden decorations produced in the Ore mountains of Saxony, becoming popular in Britain during the 19th century. Simply slot the painted tree into the base an ...

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To improve existing music genre databases and to provide a complementary and necessary framework for automatic music taxonomy. The first three years of life provide an incredible learning window, important not only for the development of cognitive and psychomotor skills but also for the musicality of your child. If guided in a creative and playful environment, children can develop their musical potential in their own time and free from stress. My goal is to be a musical guide for your child and to support their learning path. Music Tree’s teachers sing, move and interact with the children, offering suggestions to parents and carers as to how to create a musical bond with them both in the class and at home. Or, for time signatures with a number eight as their bottom number, a dotted crotchet would represent one beat.