Martin Scorsese Almost Quit Hollywood After ‘Gangs of New York’ and Weinstein: ‘I’d Be Dead’ If I Did That Again

Smith was the Next Big Thing in 1999, hot off a string of beloved indie hits. He was like if Jim Jarmusch was hip and wrote masturbation jokes. Just as Harvey Weinstein initially invested in Clerks to bolster his company’s image as a studio that supports indie filmmakers, it stands to reason that some of Dogma ‘s cast is there to similarly prove their indie bona fides. source: Lionsgate Films When asked about the sequel in October 2017, Smith said it would not happen, as he no longer desired to make any new religious films. [33]The oddest casting decision in Dogma is that of Smith himself, as he and Mewes reprise their roles as Silent Bob and Jay, respectively. They’re one-note joke characters. They constantly try to shag the lead, have very little bearing on the plot, and really don’t change much at all by the end of the picture. a b Seiler, Andy (October 24, 2001). "Kevin Smith is seldom 'Silent' ". USA Today . Retrieved July 19, 2010. Smith and Mosier assembled a group of visual artists to realize their concept of a surreal, abstract environment "somewhere between reality and unreality": production designer Robert Holtzman, special effects supervisor Charles Belardinelli, creature effects supervisor Vincent Guastini, costume designer Abigail Murray, and director of photography Robert Yeoman. [6] Locations [ edit ] Please tell that company that I’ll have nothing to do with it, if he’s still attached to it,” Smith said at the time. “I’ll work on a ‘Dogma’ anything, as long as he has no more ties to it.” As someone who values his parochial school education and still gets into interminable debates about church teachings, I enjoyed the "Dogma" approach, which takes church teaching jokingly and very seriously indeed--both at the same time. It reflects a mentality I'm familiar with. (For example, it's a sin to harbor an impure thought, but how many seconds counts as harboring?) I am also familiar with the types at William Donohue's small but loud Catholic League, which is protesting this film as blasphemous.

If the film is less than perfect, it is because Smith is too much in love with his dialogue. Like George Bernard Shaw, he loves to involve his characters in long witty conversations about matters of religion, sexuality and politics. "Dogma" is one of those rare screenplays, like a Shaw playscript, that might actually read better than it plays; Smith is a gifted comic writer who loves paradox, rhetoric and unexpected zingers from the blind side. Jones, Kimberley (August 10, 2001). "Mr. Smith Goes to Austin". Austin Chronicle . Retrieved June 18, 2009. Dogma is way too ambitious for its breeches. It’s just a nonstop, nonsensical bombardment of stuff happening with sex jokes, shootouts, and poop monsters stuffed in wherever they’ll fit. But it’s kind of charming. Dogma was released on DVD and VHS by Columbia TriStar Home Video in May 2000. This was followed by a 2-disc Special Edition DVD in 2001 and then on Blu-ray in 2008. [19] [20] Rights issues [ edit ]

a b Ebert, Roger (November 12, 1999). "Dogma Movie Review & Film Summary (1999)". RogerEbert.com . Retrieved October 9, 2016.

What's more, I think a Catholic God might plausibly enjoy a movie like "Dogma," or at least understand the human impulses that made it, as he made them. ("He's lonely--but he's funny," an angel says in the movie.) After all, it takes Catholic theology absolutely literally, and in such detail that non-Catholics may need to be issued Catechisms on their way into the theater (not everybody knows what a plenary indulgence is). Sure, it contains a lot of four-letter words, because it has characters who use them as punctuation. But, hey, they're vulgarities, not blasphemies. Venial, not mortal. Sure, it has a flawed prophet who never gives up trying to get into the heroine's pants, but even St. Augustine has been there, done that. I was like, ‘That makes perfect sense,'” Smith recalled. “I’m guileless, I don’t see all the angles. He was calling not because he wanted to do anything with ‘Dogma.’ He wanted to see if I was one of the people who had spoken to the New York Times. I hadn’t, because I didn’t know any of that stuff.” Smith believes that he only got the call because, "It was him looking to see who was a friend still because his life was about to shift completely." [34]

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Dogma film locations". movie-locations.com. Archived from the original on March 2, 2013 . Retrieved January 12, 2017. Hermanns, Grant (September 17, 2022). "Dogma's Streaming Rights Are Being Held Hostage, Says Kevin Smith". Screerant. Damon returned to reprise his role as a reborn Loki in Jay and Silent Bob Reboot. In a fourth-wall breaking monologue, he explains after the events of Dogma God once again banished him to Earth, this time to the Mediterranean Sea where he was rescued by Italian fishermen after getting amnesia, describing the plot of Damon's film The Bourne Identity: he remarks that would make his current form his " reborn identity". Caro, Mark (November 7, 1999). "A Practicing Catholic on the Religious Storm of 'Dogma' ". Chicago Tribune. Archived from the original on April 21, 2013 . Retrieved November 1, 2022. Dogma is both one of the worst movies ever made and also one of the best. Its cultural identity (white, American, and nerdy) is loud and precise, but its actual filmmaking is incredibly sloppy. Kevin Smith seems like the kind of guy who doesn’t care too much how a shot is framed or whether the lighting is right, only if his actor can nail this scorching-hot joke he’s written about Home Alone.