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Revolver

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Denver Post staff (2 July 2015). "How Brian Wilson heard 'Rubber Soul,' got baked and wrote 'God Only Knows' ". The Denver Post . Retrieved 24 June 2017. If you are considering buying the new 180g 4LP/1EP Super Deluxe Edition vinyl box set celebrating The Beatles’ landmark August 1966 album Revolver that’s set for release on October 28, then you’ve come to the right place. This set features a striking new stereo remix helmed by producer Giles Martin and is a fantastic addition to The Beatles catalog, providing a tremendous insight into the music as well as into its making. Stanley, Bob (2014). Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé. New York, NY: W.W. Norton. ISBN 978-0-393-24269-0. Hodgson, Jay (2010). Understanding Records: A Field Guide to Recording Practice. New York, NY: Continuum. ISBN 978-1-4411-5607-5. Variety further notes that an official announcement about the project, including release date and details on what material will be included, will likely come in September.

Kent, David (2005). Australian Chart Book (1940–1969). Turramurra, NSW: Australian Chart Book. ISBN 0-646-44439-5. Clough, Matthew H.; Fallows, Colin, eds. (2010). Astrid Kirchherr: A Retrospective. Liverpool, UK: Liverpool University Press. ISBN 978-1-84631-477-3. He had previously experimented with this idea in Ron Howard's 2016 film The Beatles: Eight Days a Week – The Touring Years, butit wasn't until now that the technology has been fully available and useful. Martin described it as being something "like an autopsy," a slightly unsettling analogy that nonetheless emphasizes the importance of each of Revolver's moving parts. "You open it out, and it's really healthy," he said, adding thatit was still crucial to not go overboardwith new technology, using it to only enhance what was already present. "We never do things for the sake of it." a b c d Willman, Chris (7 September 2022). "Giles Martin Details Beatles' 'Revolver' Deluxe Edition and Remix: In 1966 Sessions, 'You Can Hear Them Unwrapping Their Presents' ". Variety . Retrieved 11 September 2022.While working on the stereo remix, Martin vowed not to do anything that his father and the Beatles would not have done if the technology had been available in 1966. “It’s not my interpretation,” he insists. His priority was to enhance the album’s youthful, anything-goes vitality. “The band are always going to be 25 on ‘Revolver’ — they’re younger than Harry Styles — so they might as well sound like that. That enthusiasm!”

Ingham, Chris (2006). The Rough Guide to the Beatles (2nded.). London: Rough Guides/Penguin. ISBN 978-1-84836-525-4. Turner, Steve (1999). A Hard Day's Write: The Stories Behind Every Beatles Song (2nd edn) . New York, NY: Carlton/HarperCollins. ISBN 0-06-273698-1. Yellow Submarine” was recorded on May 26 and June 1 in Studios Three and Two, respectively. The iconic, sunny rite of singalong passage for children everywhere and a favorite for the young-at-heart began quite differently than it finished. Parts 1 and 2 of the Special Edition’s songwriting work tape for “Yellow Submarine” reveal the song’s evolution from a rather sad verse sung by John over acoustic guitar – “In the town where I was born / No one cared, no one cared…” – to its adaptation by John and Paul to suit the jollier subject matter of the chorus. Revolver’s Special Edition also includes “Yellow Submarine” Take 4 and highlighted sound effects (a complex and merry sonic seascape, including Mal Evans’ sand-shoveling and Brian Jones’ glass-clinking) for listeners to journey with The Beatles through the song’s progression. “We were really starting to find ourselves in the studio,” Ringo explained later. “The songs got more interesting, so with that the effects got more interesting.” I will get into the good stuff right from the jump, since I know a lot of you want to know how I (and we here at AP in general!) feel about this new stereo mix. To borrow a phrase from Adrian Belew of King Crimson, I like it!Music Arctic Monkeys’ Alex Turner on fame, Frank Sinatra and the elusive search for the ‘mega-riff’

Kronemyer, David (29 April 2009). "Deconstructing Pop Culture: How Many Records Did the Beatles Actually Sell?". MuseWire. Archived from the original on 12 March 2018 . Retrieved 18 April 2020. Mark Smotroff is an avid vinyl collector who has also worked in marketing communications for decades. He has reviewed music for AudiophileReview.com, among others, and you can see more of his impressive C.V. at LinkedIn. A literal lifelong Beatles fan, Mark confirms one of his three earliest life memories from his childhood is of watching The Beatles debut on The Ed Sullivan Show with his family in 1964.) The change in the dynamic between the Beatles and Martin began in 1964. [83] Speaking about his role in 1966, Martin said: "I've changed from being the gaffer to four Herberts from Liverpool to what I am now, clinging on to the last vestiges of recording power." [72] According to MacDonald, this was the "price" the Beatles paid alongside their being appointed MBEs in September 1965. [163] Aside from the financial imposition, Harrison was alarmed that the money was being used to fund the manufacture of military weapons. [164]

The 1970s

Levy, Shawn (2002). Ready, Steady, Go!: Swinging London and the Invention of Cool. London: Fourth Estate. ISBN 978-1-84115-226-4. During the same photo shoot, Whitaker took pictures of the Beatles examining orange transparencies of his "butcher cover" design for Yesterday and Today. [301] The latter image proved instantly controversial in America due to its depiction of dismembered baby dolls and raw meat. [302] [303] Title [ edit ]

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