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Under the Hawthorn Tree: Children of the Famine

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It was made mostly made by young film production crew under the supervision of Mike Kelly and shot in Kilkenny. I was made welcome on set and it was shown on RTÉ, Channel 4 and in the US as they had all helped to fund the project. However, I do hope that eventually there will be a much larger-scale film production of Under the Hawthorn Tree.

You might not expect a HEA. The way everything works out is happy. It showed the courage the kids had. They made the long journey and survived. It wasn't a thing that you could say for sure in the beginning. It's written in a time that Ireland was full of death. It's one of those times you learn about in Ireland and this book, though not educational, is good to read during that part of your education. Perhaps one of the most disappointing factors in a reading experience is when you finish a novel that had all the potential for greatness and fell so far short. This is exactly my experience with Under the Hawthorne Tree by Ai Mi. No matter what others say, I really like this book for picturing something that rarely exsists now. The ending broke my heart, but it is a good written and realistic end. Q. One of your strengths is the ability to write relatable historical fiction for children while avoiding the pitfall of patronising your audience. When you began your career in children’s literature did you find it a challenge not only to write specifically for children, but also to write from the perspective of a child? Q. The book’s chief protagonist is the seamstress Mary Sullivan, and one of the details of her life is how she supports her family by sewing burial shrouds for the Famine victims. It is this kind of detail that really brings the book to life. Was this a common practice?

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At the beginning you think it's because all young girls are like this; there are rules to follow and topics that are taboo to speak of. This is not even remotely true. Jingqiu's younger sister even knows more about men than Jingqiu does. Jingqiu has classmates and friends who have gotten pregnant or been with men. Just because nobody has explicitly talked about sex or conceiving around you doesn't mean you can't find a friend you trust and ask. I was asked by the National Famine Museum, as part of the development of Ireland’s National Famine Way, to write a story about the 1,490 tenants that at the height of the Great Hunger were evicted from Strokestown Estate in May 1847. They were made walk 165km, all the way to Dublin along by the banks of the Royal Canal to take passage on ships to Liverpool and Canada. Unfortunately many fell ill on the long sea voyage and died while others lost their lives while quarantined on Grosse Isle. Q. Are there particular classics of children’s literature that have been especially important to you? It was first adapted for the stage in Canada in 2009 by Irish musician Mary Murphy Demers and director/ writer Mary Clarke and was staged in a small theatre in Vancouver. I went to Vancouver just before the show opened and we tweaked it slightly. The show had a large mixed cast of some professional but mostly amateur actors which worked brilliantly for the large crowd scenes and it enjoyed a sold-out run. Old third, was a well developed character. But as soon a he cut his hand I knew the ending. That was annoying.

A. Women and girls’ perspectives have so often been often been ignored in literature. With Under the Hawthorn Tree I was very conscious that I was writing it for my daughter and her sisters and brother and that in terms of Irish children’s literature, girls as main heroes rarely featured. When you are writing, one of the most important decisions is through whose eyes are you going to tell your story. So often the female eye can bring a total freshness and emotion to a story which enhances it. The cultural revolution in China, the struggle of a girl and her disgraced mother, and of course the tale of a poignant love story. Under the Hawthorn tree was a very enjoyable read, i was able gain some insight into the cultural and Chinese history. The novel also made me realise the situations to do with class and power. To Δέντρο Με Τα Λευκά Άνθη". Σίγουρα, όχι μια ιστορία η οποία θα κατάφερνε μέσα από την άπλετη απλότητά της να με συγκινήσει τόσο πολύ, κάνοντάς με να την σκέφτομαι ξανά και ξανά, ακόμα και μέρες μετά το πέρας της ανάγνωσής της. Ίσως να οφείλεται εν μέρη στο γεγονός ότι πρόκειται για μια αληθινή ιστορία. Ίσως πάλι να οφείλεται στο ότι η συγγραφέας του βιβλίου, Ai Mi, κατάφερε να μεταφέρει στο χαρτί με τόση αλήθεια και συναίσθημα την ιστορία που της αφηγήθηκε η πρωταγωνίστριά της, Τζινγκ Τσιόου, μια ιστορία βαθιάς και πραγματικής αγάπης, που ακόμα και με το πέρασμα των χρόνων δεν κατάφερε τίποτα να την κάνει να εξασθενίσει. Βασισμένη λοιπόν στα λόγια αλλά και τα ημερολόγια της Τζινγκ Τσιόου, η Ai Mi μας μεταφέρει μέσα από τα δικά της μάτια την ιστορία δύο ανθρώπων που αγαπήθηκαν πολύ, ακόμα και σε μια εποχή και σε ένα μέρος που το να καρποφορήσει μια σχέση και να αποκτήσει δυνατές ρίζες δεν ήταν τόσο εύκολο. Combined, these flaws create a saccharine romance that should please lovers of Twilight, Harlequin Romances, and other novels of similar ilk. Overall I rated this book 3 stars because I don't regret reading it but I honestly don't think I'd recommend it to anyone. It didn't feel worth it. I am interested to see if the movie was written so that the characters were more enjoyable.A. Not a novel! But I have just finished a short story, A Good Woman, which is set during the Covid pandemic.

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