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Ali, Lorraine (18 April 1993). "Suede: Suede (Columbia)". Los Angeles Times . Retrieved 30 June 2020. London was a touchstone for everyone in the band, so the album became about us being placed in this city of sex, drugs and poverty after living in these suburban satellite towns. London is full of a certain kind of arts professional—people in bands whose parents bought them guitars when they were 12 and went to state school. The sense in all of us was that we wanted to get revenge on all that as the underclass outsider punks. We wanted Suede to be a pop record in the way that The Pretenders' "Stop Your Sobbing" is a pop record."

Ed Buller on producing Suede: "All these awful stories came out that are completely untrue", Alice Gustafson, Headliner Magazine, 7 February 2022 He added: “I’d love to think that our most daring work is ahead of us. That’s a really exciting prospect – that a band at our stage of our career haven’t just settled for running through the motions. I love making new records: it makes my heart beat faster, it’s what I get up for in the morning.”

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Ryan, Linda (26 March 1993). "Alternative New Releases" (PDF). Gavin Report. No.1947. pp.65–66 . Retrieved 19 June 2022.

a b "Billboard's Heatseekers Album Chart" (PDF). Billboard. 26 June 1993. p.26 . Retrieved 14 November 2018. a b "British album certifications – Suede – Suede". British Phonographic Industry. Select albums in the Format field. Select Gold in the Certification field. Type Suede in the "Search BPI Awards" field and then press Enter. Campion, Freddie (23 April 2012). "Band of the Week: The Drowners". Vogue . Retrieved 10 February 2017. Newly remastered audio by Phil Kinrade, from the original ½” tapes and production masters, overseen and approved by producer Ed Buller.Norman, Tony (19 February 1993). "The Star-maker Machine". Weekend Magazine ( Pittsburgh Post-Gazette). p.18 . Retrieved 6 January 2019.