Stop Trying to be Fantastic

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Molly Naylor is a scriptwriter, poet, performer and graphic novelist. Her stories and plays have been broadcast on BBC Radio 4 and she has performed at festivals and events all over the world. She has featured on several renowned radio shows and podcasts including A Good Read and The Guilty Feminist. Her third poetry collection is published by Bad Betty Press. She is the co-creator and writer of Sky One comedy After Hours. She wrote and performed the acclaimed solo spoken-word shows Whenever I Get Blown Up I Think Of You and My Robot Heart. Her first graphic novel Lights, Planets, People! was published by Avery Hill in September 2021 and won the Broken Frontier award for best graphic novel. Her new live show Stop Trying to be Fantastic is currently touring the UK.

Award-winning writer/performer Molly Naylor presents this funny, frank, lyrical storytelling show that explores what we owe to each other versus what we owe to ourselves. It’s an anti self-help show... that might actually help. She makes us think of the different ways we deploy to fend off our insecurities, which can sometimes be self-sabotaging. These strategies are very common: Abraham Lincoln, Michelangelo, John F. Kennedy and George Washington all experienced some aspects of self-sabotage before they made history – so we are not alone. It may or may not include some stuff that could be generously described as comedy. It may or may not have some songs. She doesn’t really know but at this point she’s just happy to be out of the house.Finally making peace with her magpie, Molly lets him in through her window and faces him head on. After fearing him her entire life, she now can see that he isn’t the least bit scary at all and understands that she has only been running from herself; that it is now time to stop. And to live.

A post shared by Grace Petrie (@gracepetriemusic) DIVA: Hey Grace. How’s the vibe up there in Edinburgh? It is clear to see why Stop Trying to be Fantastic had such a great run at Edinburgh Fringe. A performance that lends itself to smaller performance spaces and possibly would feel even better in a makeshift performance space like those at the Fringe. The simple but strong integrated lighting and sound design round the production of well. If anyone’s seen me do a gig, I do talk quite a lot between songs. I tell stories and I try and make the introductions funny. Over the years that’s just extended until somebody said to me, “you know you’re a real folk singer when the introductions get longer than the songs!” So I thought, I need to put my money where my mouth is. I wanted to see what happens if there’s no safety net of a guitar. It’s just me with nothing to hide behind. It’s been an amazing experience learning that I can do that. I’m full of admiration for comedians who do it all the time, but I’m really proud of myself for taking the leap. How did you find striking the balance between funny and serious, when talking about such an identity-centric topic? Most of these strategies are destructive, although the first one, storytelling, gave her a successful career path. The second one, boozing, was not so fortunate. It led to unwise relationships, shame, humiliation and general problems with her health. But anything that makes the magpie go away, gets noted, and replicated. From award-winning writer/performer Molly Naylor (Whenever I Get Blown Up I Think Of You, Sky One’s After Hours) comes this lyrical and funny spoken-word show that explores what we owe to each other and what we owe to ourselves.Blue by Joni Mitchell… or the Blue Album by Weezer? Can I have both because they both have blue in the title? (yes you can) Of course, it’s a metaphor. A symbol of a trauma not discussed; silenced and suppressed. Stop Trying To Be Fantastic turns the elephant in the room to the magpie in the room. And, if you’ve ever witnessed a bird when it accidentally finds itself trapped you know exactly how it panics, thrashing about leaving havoc in its wake. Stop Trying To Be Fantastic is that which gets left behind once the incident has passed. The initial mess might be cleaned up, yet an echo remains. NAC supported artist Molly Naylor is heading to Edinburgh Fringe this August at Summerhall with her new show Stop Trying To Be Fantastic. At first, this show seems stranded between poetic horror and funny self-help, as if Bridget Jones had wandered into The Raven (only with a magpie). But it’s a slow burner and by the end is absorbing. Writer and actor, Molly Naylor, plays a version of herself who was traumatised by a magpie at a young age. The magpie then stalks her, and she develops strategies for getting the magpie to go away.

Do you have a nagging voice inside your head? How do you deal with it? Stop Trying to be Fantastic by Molly Naylor explores the challenges of having that constant internal nagging. Molly Naylor gives a warm in>mate performance making everyone comfortable, which dispelled the nervous mist among the audience from the first word. As both writer and performer Naylor takes strong grip of the script, something needed in a production that relies so heavily on its metaphor as its core drive. As the purpose of the production unfolds seamlessly, Naylors ability to hold the audience’s attention must be admired. Stop Trying to Be Fantastic is a mostly true story about suffering, saviour-complex, self-acceptance, and a magpie who refuses to quit. Award-winning writer/performer Molly Naylor has some ideas to share – with a little help from a feathered fiend, who may not quite be the monster it seems. Review by Jeremy Day. We have a huge variety of events. Something for everyone. From community workshops at the Library, children’s shows at Cygnet Theatre, stand-up comedy at Topsham Brewery, folk music at the Corn Exchange, professional development workshops, storytelling at the RAMM, music at St Nicholas Priory, youth shows at the Hall and Multi-Story Orchestra in IKEA’s car park.Those pesky little magpies: astute, sneaky, determined. Their presence can be felt even when they’re not visible to other people. It’s highly likely that, at some point, you’ll encounter one. Or maybe more than one. You might not realise its significance at first. Yet from year to year, situation to situation, despite your best efforts to ignore it, there’s an incessant, attention-seeking tap-tap-tap.