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Golden : Acrylic Fluid Paint: 30 ml: Set of 10

£41.5£83.00Clearance
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Oil paints stay wet for longer, so artists have more flexibility when painting over multiple sessions. Paint will remain wet and workable, and colours on the canvas can still be blended. |Acrylic paint is fast-drying and made with pigment suspended in an acrylic polymer emulsion. Oil paint is slow-drying and consists of pigment suspended in a drying oil, such as linseed oil. Because the Fluid Acrylics contain no flattening agents or opacifiers, it is quite evident when looking at our color chart that our colors do vary in gloss. For example, our Ultramarine Blue or Raw Umber appear quite matte, while the Dioxazine Purple and Vat Orange are extremely glossy. Although some artists find this variation problematic, many artists appreciate the nuances of color, sheen, and transparency or opacity that exist within our Fluid line. (For artists desiring a consistent sheen and opacity in a fluid paint line, our Matte Fluids provide this option. See below for more information.) Film Flexibility In keeping with the standards created by our Heavy Body Acrylics, when formulating the Fluid line we consciously decided not to add the flattening agents or opacifiers typically added to other acrylic paints. Such fillers are frequently added to unify the sheen of a line of paints and to make all colors uniformly opaque. We decided that each pigment would be made to its own level of matte or gloss and its own unique degree of opacity or transparency, depending upon its own intrinsic nature. These decisions have allowed our colors to retain their clearest and cleanest quality, especially when used in washes or glazes where their brilliance is displayed. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Fluid Colors can be mixed with most of our other GOLDEN Mediums, Grounds, Gessoes, Gels and other paint lines, including our Heavy Body Acrylics, High Flow Acrylics, High Load Colors, Iridescent Colors, Paste Paints and Matte Acrylics. By blending paint lines of different viscosities, artists can create virtually any paint consistency without sacrificing color strength. The Heavy Body Acrylics can be thinned very effectively with water, but since the Fluids start at a lower viscosity, less water is needed. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of all of the acrylic paints and also tends to flatten out their sheen.

Acrylic paint usually dries within twenty to thirty minutes. However, some paints such as Golden Open Acrylic have a prolonged drying time, meaning they can be worked with for longer.

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Eventually, the popularity of the Fluid custom formula reached a point where GOLDEN was able to introduce it as a standard line of product. The Fluid Acrylics are formulated similarly to GOLDEN Heavy Body Acrylics, the main difference being the viscosity or consistency at which the paints are finished. Hence, the pigment load or color strength of the Fluid Acrylics is comparable to the Heavy Body Acrylics. In fact, because of the greater leveling of the Fluid Acrylics, some artists believe the Fluids are actually stronger than the Heavy Body colors. PRODUCT PROPERTIES Mixing Fluids with other GOLDEN Products With the consistency of heavy cream, they offer strong colours with no fillers or extenders. Perfect for spraying, brushing and staining. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Golden Fluid Acrylics are intense, permanent acrylic paints produced from lightfast pigments instead of dyes.

Unlike mixtures of heavy-bodied paints and water which produce weak colour and films by dilution, Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing, staining, and can be mixed with other GOLDEN Products. Blend with Airbrush Medium for spray application. Excellent for fabric application

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The sheen of the Fluid acrylics can be altered with gels, mediums or varnishes. However, for those artists looking for a paint line with uniform matte finish, GOLDEN offers the Matte Acrylics. The Matte Fluid Acrylics are essentially the same as the regular Fluids, except matting agents are added to glossier colors. PIGMENT SELECTION The Fluid line is divided among inorganic and organic pigments. Inorganic Pigments Every color within the Fluid Line is approved for professional artist use according to ASTM Standards for Artist Materials. These standards regulate paint consistency and demand fineness and lightfastness of chosen pigments, use of 100% acrylic binder, freeze-thaw stability, and accuracy of labeling for pigments used. Evaluation by an approved toxicologist is required. Of the 51 colors currently in the Fluid line, 45 are considered excellent in lightfastness (the ability to withstand color change due to exposure to light). The remaining 6 are rated very good for lightfastness. GOLDEN does not use any colors within the Fluid line rated less than very good. Those colors rated as very good include Green Gold, Naphthol Red Light, Naphthol Red Medium, Hansa Yellow Light, Permanent Green Light, and Dioxazine Purple. PIGMENT FAMILIES The Quinacridone Family:

The Fluid Iridescent Colors are one of the most unique products available to artists today. They are well-known for their luster quality and offer highly reflective metallic variations. They can be used alone or mixed with other GOLDEN colors. Adding glossy gels or mediums to Iridescent colors will also increase their luster quality. The GOLDEN Acrylic lines contain more Quinacridones than any other acrylic line of paint. Quinacridone pigments produce seven intense colors ranging from deep yellow to vibrant violet. All of the Quinacridones, because of their vibrant undertones and high transparencies, tend to be excellent mixing colors. They tend not to muddy or gray, retaining their brightness. Interference colours offer a unique "flip" when viewed from different angles. The colours flip between bright opalescent to its complement. The organic pigments are a group of colors that are synthetically produced through complex carbon-containing chemistry involving various materials including petroleum, coal tar and natural gas. Many of these pigments have their roots in the chemistry of the 1800's, although widespread production didn"t really begin until the 1930's. Even though they have only been available for several decades, organic pigments have demonstrated remarkable abilities to withstand the impact of light and weather. Pigment Selection & ASTM Standards When used for applications other than staining and washes, we recommend diluting the Fluids with no more than a 1:1 ratio of Fluid Acrylic to water. When using the Fluids specifically for staining and washes, there is no limit to how much water can be added. Film integrity will automatically result when the substrate absorbs the paint mixture. Washes can also be sealed with an acrylic medium to increase overall film strength. Brushing Quality

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The paint loads evenly onto a paintbrush, and flows consistently from brush to surface, allowing for longer, more uniform brush strokes than the Golden Heavybody Acrylics. The Pyrrole family is one of the newer pigment families to be developed. The Pyrroles are almost as opaque and, in fact, brighter than our Cadmium colors. Pyrrole Orange, Pyrrole Red Light, and Pyrrole Red exhibit excellent opacity and lightfastness. They also offer clean mixing with other organics, unlike their Cadmium counterparts, which produce muddier blends. Disclaimer Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion.

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