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Woman in Mind

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Hair growing, hens? Goosey? Gandy? Chair old? Hair shone? Tone show, fleas. Fleas, tone show. December bee? Choose ‘un. December choosey. December bee? December bee? a dazzling, provocative evening... which is both hilariously inventive and demonic" - Sunday Telegraph Cast: Janie Dee, Perdita Avery, Stuart Fox, Bill Champion, Joanna David, Dominic Hecht, Paul Kemp, Martin Parr Only this isn’t Susan’s real family. It is wish-fulfilment in the form of hallucination, the creation of a prettier home life where she is richer, smarter, and more loved by those around her. It is Susan’s reaction to a banal real-life home that is a terrifying amplification of many of the classic concerns of Middle England, complete with a loveless marriage and a son that no longer speaks to her. His protagonist, Susan (Sally Hartley), following a concussion, finds herself embraced by the perfect fantasy family, a stark contrast to her patronising and distracted husband, Gerald (Pete Woodward) and her nightmarish sister-in-law, Muriel (Sarah Parnell).

Director Andrew Caple and his technical team have produced an interesting garden setting complete with lawn, pots and trellis, while the sound technicians have excelled with tortuous magnified voices and weather effects. Wardrobe too have ensured the cast are appropriately well costumed.There is much good work to praise here. Sarah Parnell as the put-upon Muriel is a creation of genius and Pete Woodward and Simon Walton as vicar and doctor respectively, give nicely-studied work with an eye to detail. The ubiquitous Aaron Holdaway presents an essay in comedic delivery too. Brilliant designer Les Brotherston has created an amazing set spreading right across the stage and beyond, with lawn, flower beds, walls and steps so solid and sturdy they seem to have been there forever, all enhanced superbly by Mark Henderson’s lighting with sound and video by Simon Baker. The whole is so effective that is seems we are there with them in the garden as day turns to night and a raging thunderstorm reflects the chaos in Susan’s mind. It’s important to emphasise that Susan must always appear quite ordinary. It's a difficult quality sometimes for an actress to catch. Most people who want to act are quite extraordinary!. We should never get the feeling - what's this remarkable woman doing putting up with all this? Most of my plays at some level are autobiographical. I think Woman in Mind , in the end, is no more and no less than many others.

There is plenty of enjoyment to be had from this moving production as the accomplished cast unravel Susan’s torment and appear to be talking nonsense!My mother, during the school holidays took me everywhere with her, often to London (we lived in Sussex) to visit publishers and editors, practically all female. And I sat there all the while, as they talked of this and that, a small boy listening - and largely unnoticed. The woman is Susan; neglected by her insensitive, loud-mouthed husband Gerald and rejected by their only son, the poor woman feels useless and hopeless. Is it surprising that she invents an ideal loving family with an enviable lifestyle and a dwelling with vast grounds compete with lake, tennis courts and swimming pool. This new family become reality to her, so real that they actually appear surrounding her with love and acclaim, a different world for her to escape her unhappy life. For a long time she is between the two worlds, but gradually they intertwine, sometimes confusingly but eventually, and tragically, the imaginary world takes over and refuses to leave.

At the time of going to press a high wall of secrecy surrounds this project. Some have the theory that the reason for this is to protect such highly original comic material from the risk of plagiarism. Others, more cynical, suggest that it could be due to the fact that the author hasn't started on it yet and is anxious not to commit himself. Contrasting Susan's own family are three imaginary characters, existing only in Susan's mind (and therefore visible to the audience): As Susan, Sally Hartley gives one of the most astonishing performances in local theatre it has ever been my pleasure to witness. Measured, believable, truthful, both vulnerable and strong and utterly convincing.Andy, Susan's imaginary husband, handsome, devoted, master cook, and everything missing from Gerald; Susan was probably closer to a portrait of my mother in some ways, though it would be dangerous to say she was solely based on my mother. But the relationship with her husband Gerald had echoes of her own relationship with her bank manager husband. Never a good idea to marry someone solely for the good of the child which I believe she did. It usually ends in unhappiness for all concerned. Tinny beers a show. High december how rotten high trade fat haywood throw twig and throng hike hair share rents. Pie lank hod hat day lid! Hens, hang few saw paw up-short. Hang few. Hang few, hens, sizzle pie tart insole. Grey ice way chew...? Grey ice way...? What does the 'incomprehensible' language Susan hears in the first scene and speaks in the final scene mean?

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