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Audioslave

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Melnyk released Fallen Trees at the end of last year, shortly before turning 70 years old, and it is proof that as a composer he is still well within his prime. We don't mean that vegans won't like it, but rather its intimate production desires a physical medium spinning as close to you as Mitchell's voice appears in the room. It's an album that feels suited to the format – it was originally mastered for vinyl, after all – with the rolled off treble offering warmth to Bernard Sumner's often hauntingly sparse guitar lines and Ian Curtis's affecting vocal, and it still comes with the same textured cardboard sleeve. Joni Mitchell's Blue is as essential to a record collection as bread and milk are in your weekly shop. Amazing energy coming from both the legendary Soundgarden vocalist and the outstanding Rage Against the Machine band. What a fantastic combination, really! Together they created something so energising and adrenaline raising that I must say - listen responsibly! If you're driving while listening, the gas pedal is pushing itself, so be careful and watch the speed.

Audioslave – Audioslave (2022, Gatefold, Vinyl) - Discogs Audioslave – Audioslave (2022, Gatefold, Vinyl) - Discogs

That being said, the performances on here from the RATM core of the group are solid, so despite its flaws this is not something I can wholeheartedly trash. There are much worse records especially from this genre in this time period. Don't be unnerved by Kid A's dimensions, you won't need a turntable that'll spin at 78rpm to play this double 10-inch record; whether it was made this way for aesthetic or simply due to Radiohead being willful, it's really just a 33 1/3rpm vinyl in fancy dress.

No two vinyl records are exactly the same, but deficiencies from mastering to press can also leave whole batches sounding sub-par, and in the gravest scenarios have you eschewing some of your otherwise favourite albums. As flawlessly recorded as it is played, it's an impeccably precise rendition of the musical masterpiece, full of the depth and dynamic interest that makes it such a potently emotional powerhouse. The hollow hall acoustics of the St-Eustache Church in which the orchestra was recorded wonderfully exploits the sheer power (especially in Mars) and the warmth and lifting woodwinds (particularly in Jupiter) of the composition, too. Legal [At] – King, Holmes, Paterno & Berliner, Ziffren, Brittenham, Branca, Fischer, Gilbert-Lurie and Stiffelman The argument that placing a record upon the platter helps prepare the mind for deeper listening is just as relevant when discussing Arca's self-titled album from 2017. Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term.

Audioslave by Audioslave (Album, Hard Rock): Reviews, Ratings Audioslave by Audioslave (Album, Hard Rock): Reviews, Ratings

Welcome to Vinyl Week on What Hi-Fi?, in association with Technics. You can find out more about how Technics has been defining turntable culture for half a century and the company's SL-1200M7L Limited Edition turntable. Fstein said:I guess classical music record don't sound very good?:tearsofjoy:At least Dark side of the moon did not make the list!It does sound fantastic, though. There's a boldness to the sound that is strangely euphoric, despite the album's often subdued phrasing, and a luscious quality to electronic and acoustic instruments alike that creates a genuinely immersive soundscape.

Audioslave - Audioslave | Releases | Discogs Audioslave - Audioslave | Releases | Discogs

It's a scary thing, replacing an over-played record with a brand new press, but doing so with Joy Division's Unknown Pleasures worked a treat for us. There are still some genuinely classic songs like “Like A Stone” and the overwhelming “Shadow on the Sun.”

Edit: Bumping this up to a 3, because while I still endorse my prior review the fact is that there are too many guilty bangers on here to leave this as a straight down the middle average album. It's not excellent and I don't return to it often, but this is enjoyable if you don't take the lyrics too seriously and just sing along.

Audioslave · Out Of Exile (LP) [Repress edition] (2023) Audioslave · Out Of Exile (LP) [Repress edition] (2023)

Recorded at Cello Studios, Hollywood, CA, Akademie Mathematique Of Philosophical Sound Research, Los Angeles, CA, and Sunset Sound, Los Angeles, CA. Tom's guitar playing is exceptional. Tim's bass creates this blues like groove that offers further flavour and Brad's drumming builds the tension perfectly. The reason Music For Films makes it to this list though is precisely because we weren't totally enamoured with it before we heard Showell's half-speed version running at 45rpm; the sonic upturn in all from detail to dynamics, though admittedly often subtle, for us gave the music new dimension. Kind Of Blue is one of those works that as good as defines its genre, and in many ways it feels peculiar to play it on anything other than vinyl. Probably in the upper tier of radio-friendly post-grunge, considering most of that wasteland was a cesspit.While the Godfather of techno's productions may have mellowed a touch his relentless approach to releasing records shows no signs of abating. Unconcerned by the fashions of the day, Jeff Mills' Axis label has been releasing a steady flow of minimal music on vinyl since 1992.

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