As I Roved Out

Product Information

An earlier version was first printed on a broadside of around 1810 with the title Maid and the Soldier. Early broadside versions were sad songs focused on the abandonment of the girl by the young man. [3] Later broadside and traditional folk versions celebrate a sexual encounter. A censored version published by Baring-Gould and Sharp substitutes a proposal of marriage for the encounter. Seventeen Come Sunday / As I Roved Out / The Soldier and the Maid (Roud 277; Laws O17; G/D 4:791; Henry H152, H793) Mainly Norfolk: English

Seventeen Come Sunday - Wikipedia Seventeen Come Sunday - Wikipedia

Irish folk music abounds with songs about young maidens “giving” themselves to rakish men who then abandon them the next morning. The chords are presented here in the key of C Major. The song is a little unusual because it doesn’t end on the root chord or key chord. Instead, each verse ends of the fifth chord of the scale, which in this case is G Major. How can you go a-roamin’ to slight your dear Polly?” Sarah Makem sings I Wish My Love Was a Red Red Rose But I said, I've lost my waistcoat, my watch chain and my purse! Says she, I've lost my maidenhead, and that's a darned sigh worse! Chorus With my too-run-ra, lilt-fa-laddy Lilt-fa-laddy, too-run-ray [6] Other recordings [ edit ]Seventeen Come Sunday", also known as "As I Roved Out", is an English folk song ( Roud 277, Laws O17) which was arranged by Percy Grainger for choir and brass accompaniment in 1912 and used in the first movement of Ralph Vaughan Williams' English Folk Song Suite in 1923. The words were first published between 1838 and 1845. [1] The songs usually involve a young man – possibly a soldier, a sailor or even a nobleman – who sees a young girl while travelling through the countryside and manages to charm his way into her bed.

I Roved Out / The Soldier and the Seventeen Come Sunday / As I Roved Out / The Soldier and the

This was a widely known song in England, and was also popular in Ireland and Scotland. It is one of those which earlier editors, such as Sabine Baring-Gould and Cecil Sharp, felt obliged to soften or rewrite for publication. It was also common on broadsides throughout the nineteenth century" It’s a common ending to these kind of songs, with the girl left disappointed and with her reputation tarnished. Other songs with related themes, such as The Butcher Boy, end in tragedy with the broken hearted girl taking her own life. The song contains several lines that can be taken in two ways. The girl says there’s plenty of oats for a horse to eat “if he’s able” and there’s plenty of wine for a soldier boy to drink “if he’s able”. Roud, Steve & Julia Bishop (2012). The New Penguin Book of Folk Songs. Penguin. ISBN 978-0-141-19461-5.

Shirley Collins> Songs> The Irish Girl The Irish Girl / As I Walked Out / Let the Wind Blow High or Low In other versions, Moore changes it so it’s the girl who is anxious about whether the singer will be up to the task as she says, “I hope to God you’re able”. When broken shells make Christmas bells Whether the words have double meanings or not, the couple end up in bed. The soldier makes the bed with her and sleeps with her after asking “lassie are you able?” In Moore’s version it is very much the girl who makes things happen when she meets a young soldier. She invites him to her mother’s house in the middle of the night saying “devil ‘o one would hear us” – meaning, of course, that no one would hear them. My only criticism of Robert’s recent singing with Krauss or Saving Grace is that it contains a void of “entertainment” value. The delivery and range is always muted and confined to a limited display of artistry. It just seems like a very easy way to sing vs putting on a performance . Even many of entertainments elder crooners put more style into their live delivery at age 80 plus.

Irish Girl / As I Walked Out / Let the Wind Blow High or Low The Irish Girl / As I Walked Out / Let the Wind Blow High or Low

The theme of As I Roved Out is to be found in numerous Irish and British folk songs. The Moore version is similar to an English song called The Trooper and the Maid, and there are many other versions. Moore loved the song and has performed it throughout his career, both with Planxty and as solo artist. Who are you me pretty fair maid? Maidens dream But I’ll roll my lass all on the grass, let the wind blow high and low. James McDermott sings Let the Wind Blow High or Low Following the announcement on August 15 of a November UK tour for Saving Grace, Plant’s Facebook post announcing the tour was edited on August 16 to add the announcement of the band’s first music being released.For love it is a funny thing, did you ever feel the pain? Walter Pardon sings Let the Wind Blow High or Low Plant owns more than 75% of Trolcharm Limited, according to Companies House filings in the UK. His three surviving children are directors of the business along with Plant. Use italics (lyric) and bold (lyric) to distinguish between different vocalists in the same song part Planxty performed this song originally in F Major. Place a capo on the fifth fret and play the chord shapes below to play in F Major. In later years, they sometimes dropped the key to E Major. Place the capo on the fourth fret to play in E Major. Robert Plant’s Saving Grace, the co-operative featuring Suzi Dian (vocals), Oli Jefferson (percussion), Tony Kelsey (mandolin, baritone, acoustic guitar), and Matt Worley (banjo, acoustic, baritone guitars, cuatro) have announced a tour in November 2023.

I Roved Out Lyrics | Genius Lyrics Planxty – As I Roved Out Lyrics | Genius Lyrics

These can be taken literally but they can also be taken as code for a sexual invitation. In highly religious, Catholic Ireland, it would have been unthinkable for a song to contain more explicit lyrics. Lassie, are you able? Belle Stewart "The Overgate" recorded 1976. Issued on The Voice of the People Volume 20 "There is a man upon the farm" (1988).Since forming in 2019, Saving Grace have received numerous acclaims for their live shows with Bob Harris describing it as " One of the best gigs I’ve seen in years" and Toni Woodward, Americana UK providing a perfect summary: “…These five musicians have produced a supreme ninety minutes of music with considered interpretations of others’ compositions, ensuring they present an innovative exploration of the songs whilst maintaining their true essence. Furthermore, this odyssey has been undertaken in the spirit of appreciation, musicianship, and exultation: they truly are a band of joy!”. Fol the diddle die doe, Flash gals and airy too. The Broadside from Grimsby sing Seventeen Come Sunday