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Murder in the Rue Dumas: A Verlaque and Bonnet Mystery: 2 (Provençal Mystery)

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When Dr. Georges Moutte is found mudrered, investigator Antoine Verlaque is stumped. Certainly the director of theology at the Université d’Aix had his enemies. Moutte was just about to name the recipient of an elite fellowship as well as his own successor—a highly coveted position—when his lips were sealed permanently. But Verlaque isn't convinced that anyone in the tiny community of academics is capable of murder. Bonnet, actually, is not a detective at all. She's Verlaque's girlfriend, who, I presume, he hooked up with in the first book. Their relationship is in that awkward phase where neither is quite sure how serious it is. Bonnet does help some with the case, but is, largely, on the periphery. I do like her, and I like that she isn't his partner, as that changes up typical dynamics a bit. I was not super attached to the characters, but I was entertained by them, which was enough for me.

Alongside Roger Allam, The Crown actress Nancy Carrol plays Marine Bonnet, Antoine’s romantic interest in the show. The Verlaque and Bonnet mysteries . . . plunge you into a languid world of epicurean pleasures and good living.”—Eleanor Beardsley, NPR This is clearly an author who loves that region, and wanted to write about it, and invented these characters so they could explore. There are three 90-minute episodes in season one and are set to take viewers on the investigative journey of Antoine Verlaque. Longworth was born in Toronto and moved to Aix in 1997. She has been influenced by Barbara Pym, and her mysteries are like "intricate puzzles". Longworth also teaches writing at NYU Paris. [3] Bibliography [ edit ]What I love about this book is the other stuff. I love the characters, they are really well written and interesting. I also love the travelogue (author was a journalist and travel writer(?) before she wrote this series) and the food and wine. Apart from that, there is also romance, some literature, art and philosophy - some very interesting stuff that sometimes I would put the book down and start looking up some of the stuff she talks about in the book. Some stuff makes me think and some stuff that is just really cleverly written. So you can see how busy this book is. prodigalbum added: "If everyone in #MurderInProvence is French, why aren’t they all speaking English with ‘Allo ‘Allo accents?" Another egregious plot device which made me want to throw the book across the room was that our hero, a JUDGE, deliberately breaks into premises outside his jurisdiction with his accomplice a LAW PROFESSOR, based on nothing more than a hunch and conjecture. In the real world they would both have been fired and prosecuted, not been invited to dinner. And they aren't even contrite about it. Even so, the whole sequence should have been resolved with a simple telephone call (which, in a way, it ultimately is). Their relationship is a focal point of the series, as their relationship often gets in the way of the murder mystery. Furthermore, a suspect with Church connections would have made a very worthwhile and entertaining addition to the mix of potential wrong-doers (and motives), an opportunity lost through bad preparation. Spoiler: the who-why-how is one of the weakest I have ever encountered in a murder mystery.

Voor mij was dit niet de eerste kennismaking met M.L. Longworth. Ik las een tijdje geleden al ‘Dood op kasteel Brémont‘ van haar hand en had hier nogal wat op- en aanmerkingen op. Maar toch was ik nieuwsgierig naar dit vervolg. Ik was vooral benieuwd of dit verhaal spannender zou zijn. Dat was ‘Moord in Rue Dumas’, gelukkig wel. Samen met zijn rechterhand Bruno Paulik wordt Antoine Verlaque aangesteld om deze zaak te onderzoeken. Ze ondervragen faculteitsmedewerkers, docenten en studenten, trekken alibi’s na, doorzoeken zijn kantoor en woonruimte en komen erachter dat Moutte een man was die mensen regelmatig tegen elkaar uitspeelde en niet door iedereen aimabel werd gevonden. Daarnaast ontdekken ze dat hij naast zijn werk nog een andere passie had, die een extra onderzoekslijn oplevert. De ondervraagden hebben allemaal hun eigen verhaal, laten niet direct het achterste van hun tong zien en het verdachtenlijstje wordt niet vlot ingekort, er worden eerder mensen aan toegevoegd. Longworth’s charming, if talky, fifth Verlaque and Bonnet mystery (after 2014’s Murder on the Île Sordou) looks at the art world. The book alternates between the now troubled relationship Continue reading »French-set mysteries have never been more popular [and] among the very best is a series set in Provence featuring Monsieur Verlaque, an examining magistrate, and his sometime girlfriend, law professor Marine Bonnet.”— The Denver Post

Making a return appearance in Longworth’s second mystery are magistrate Antoine Verlaque and his girlfriend law professor Marine Bonnet. He has been called to investigate the murder of Dr. Georges Moutte, chair of the Theology Department at the University d’Aix. Moutte’s soon-to-be retirement has become a permanent one, hastened by blows to his head delivered by a blunt instrument. Verlaque is assisted by Paulik in interrogating faculty members, students, and those in attendance at a party the night before. Kanter, Jake (2021-05-25). "BritBox Sets Crime Series 'Murder In Provence' As First U.S. & UK Co-Production". Deadline . Retrieved 2022-03-07. The investigation is headed by Verlaque, a judge who maintains good relations with the men he works with as well as benefiting from the helping hand of his girlfriend, Marine Bonnet, a law professor. When Dr. Georges Moutte is found murdered, investigator Antoine Verlaque is stumped. Certainly the director of theology at the Université d'Aix had his enemies. Moutte was just about to name the recipient of an elite fellowship as well as his own successor—a highly coveted position—when his lips were sealed permanently. But Verlaque isn't convinced that anyone in the tiny community of academics is capable of murder.Longworth’s gentle procedural succeeds on several levels, whether it’s for academic and literary allusions, police work, or armchair travel. With deftly shifting points of view, Longworth creates a beguiling read that will appeal to Louise Penny and Donna Leon fans.”— Library Journal The mystery is there; witnesses and suspects interviews, clues followed and investigation done. However, it does seem somewhat secondary to the abundance of characters and descriptions. Oddly, this is not a complaint. The pair investigate murders, mysteries and the dark underbelly of their idyllic home in the south of France.

I soon felt at home in Aix with Judge Verlaque and Marine Bonnet thanks to the descriptive writing. My weakness for french cuisine did cause hold ups in the reading as I diverted from the text to look up the recipe of a particular delicious morcel ( in case it had anything to do with the plot - you understand!) Although the author is British, her absolute love of all things French and Italian, shines through. Almost more than anything else, the book is a delight to read for its detailed descriptions of foods and wines, while art—I’d not known before of Gallés glass and ex-votos--, history—during the plague, the town fathers of Aix closed the city gates resulting in the plague passing without the loss of a single life in Aix--, literature—“What will survive of us is love.”--, and the French countryside receive their fair share of attention, as well. Plot: Dr. Moutte, the director of Theology at the Université d’Aix is found dead with his head bashed in. There are plenty of suspects as he recently retracted his retirement, making a lot presumptive successors angry. He also baited a prestigious fellowship over the heads of anxious candidates, also making them angry. As the investigation proceeded, his secretary was mowed down and killed by a hit and run. As with any respectable police protocol Verlaque and his assistants start the investigation by interviewing and looking into all the possible suspects.

The Verlaque and Bonnet mystery novels are, now that I think about it, more about Provence and its culture, history and wines than it is about the mystery. Longworth is an engaging and entertaining writer who holds readers with not only interesting tidbits (such as dropping into Les Deux Garcons, the café where Cezanne and Zola once exchanged ideas), and the badinage between Verlaque and Bonnet while at the same time spinning a mystery. The ITV series is not based on a true story but has been adapted from the books of M.L. Longworth and Downton Abbey writer Shelagh Stephenson. We meet the group of Theologians at a grand party being held by Moutte, the man in charge. He has promised to name the recipient of the Dumas fellowship for which there are several competing and hopeful candidates, but instead he drops a bomb that he is not going to retire. His position included deluxe rent-free housing in the best part of Aix-en-Provence in addition to other benefits. Longworth’s novels . . . are mysteries for foodies, with the plot providing a table upon which the enchanting meals and accompanying wines are served.”— Booklist

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