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Any person who thinks these scenarios that women have endured are “made-up” or embellished are either delusional or very sheltered. The Princess and the Pony (New York, NY: Arthur A. Levine Books, an imprint of Scholastic Inc., 2015, ISBN 978-0545637084) Similarly, she makes a convincing case for the damaging nature of the business. Hopefully things are different today with the proliferation of smartphones/wifi making boredom less of an issue, as well as the openness of talking about mental health possibly cutting down on the destructive behaviour of men who bottled it up until it exploded out of them. D+Q to Publish Kate Beaton's Hark! A Vagrant". Drawn & Quarterly. 12 January 2011 . Retrieved 3 August 2011. Armistead, Claire (15 September 2022). " 'We had to leave home for a better future': Kate Beaton on the brutal, drug-filled reality of life in an oil camp". The Guardian . Retrieved 25 December 2022.
Ducks by Kate Beaton | CBC Books
The oil sands operate on stolen lands. Their pollution, work camps, and ever-growing settler populations continue to have serious social, economic, cultural, environmental, and health consequences for the indigenous communities in the region. The highway, which links the Edmonton area to the oil sands plants north of Fort McMurray, has become infamous because of the high number of injuries and deaths on the narrow but busy roadway”. Hunt, Stephen (2022-12-23). "Obama holiday reading list includes Kate Beaton graphic novel about Alberta oil sands". CTV News . Retrieved 2022-12-27. I'm a Careful Person': An Interview with Kate Beaton - The Comics Journal". www.tcj.com. 4 November 2015 . Retrieved 10 February 2018.
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In 2016, this landscape prompted another news story when huge wildfires closed the town of Fort McMurray, which serviced the camps, underlining a bigger issue of environmental breakdown to which the oilfields contribute. But Beaton holds her focus on the two years she spent there, when her mettle was tested up to, and beyond, its limits by the more local threat of social and behavioural breakdown, which landed her in many difficult situations.
Ducks: Two Years in the Oil Sands by Kate Beaton | Goodreads
Indies Choice and E.B. White Read-Aloud Award Winners Announced". The Children’s Book Council. 13 April 2016 . Retrieved 25 April 2021. We all know these are bad times. Sometimes the forces buffeting the world–capitalism, globalism, white supremacy–seem like faceless unstoppable powers; other times the faces inflicting monstrous violence are all too human. They are the faces of politicians and CEOs, but also uncles and neighbors. It often feels like there are only two options: to tolerate the intolerable, or to be overwhelmed by anger and hate. Either option I move toward, something precious inside me gets lost. On her way to a better paying job at an OPTI-Nexen camp, where workers stay 24/7, Kate’s Somali taxi driver tells her: “You be careful, young girl. You live here, they don’t. Do you know how people treat a place where they don’t live?”
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At the cost of our lives-as long as they get their money. They don't care how many of us they kill off.’ Of Scottish descent, Beaton grew up with her three sisters in Mabou on the isle of Cape Breton. [2] She went to a small school for K–12, only having 23 people in her class. [3] She graduated from Mount Allison University in 2005 with a Bachelor of Arts in history and anthropology. [4] a b c d Salkowitz, Rob (2022-09-27). "Kate Beaton's New Masterpiece Just Rewrote The Standard For Graphic Memoirs". Forbes . Retrieved 2022-11-07.
Ducks by Kate Beaton - Penguin Books Australia Ducks by Kate Beaton - Penguin Books Australia
What makes this story so moving is that it's presented from a completely personal point of view. It's not a political screed or a take-down or an exposé (though it can't fail to have the effect of all of these in places). It's just her own experience as a woman living remotely in a place where people live in isolation, where workers and the environment are sacrificed to corporate exigencies, and where men outnumber women by about fifty to one.I'm from the other side of the island Kate Beaton grew up on and I'm living not terribly far from where most of this book is set. My experiences have been different, of course, but everything Beaton writes rings true. You notice it in the little things: buildings that look familiar, or that you realize looked like that in the years her story was taking place, or the way she draws certain documents, or realizing you might have a very vague connection to one of the people who die in an accident in the book, and then that sense of nailing it extends outward to the issues she's covering. There's a landscape drawing of Cape Breton early in the book that looks like a photo that hangs on my mother's wall, except they're from two slightly different angles. I love the way that Kate tells stories through her art and through prose," Roach said on Commotion. "One thing that graphic novels do so well is that they cut to the core of emotions, they cut to the core of storytelling because they have to present things in a way where they are not being too wordy and they are able to express really deep feelings through the artwork." Kate Beaton and I are the same age, and we hit the indy comics scene at roughly the same time. Like everyone else in the world I became a fan of her work - the funny historical stuff and the (also funny, but serious too) autobio stuff. We made friends, another one of those weird internet friendships that feels both intangible and invaluable. Beaton's first children's book, The Princess and the Pony, was released in 2015. [33] In 2016, she published the picture book King Baby. I was nothing in his life but a short release from the boredom and loneliness endemic in camp life, but he was a major trauma in mine.
Ducks: Two Years in the Oil Sands by Kate Beaton, Hardcover Ducks: Two Years in the Oil Sands by Kate Beaton, Hardcover
Known primarily as the creator of the web-based comic series “Hark! A Vagrant,” Beaton moves to memoir with this examination of the two years she spent working in the oil sands to pay off her student loans. The author begins with an introduction to her home in Cape Breton, where the people have “a deep love for home, and the knowledge of how frequently they will have to leave it to find work somewhere else. This push and pull defines us. It’s all over our music, our literature, our art, and our understanding of our place in the world.” On the surface, the book is a chronicle of the three years following the author’s college graduation (she also spent a year working at the Maritime Museum of British Columbia), but Beaton captures much more than her personal story. She delves deep into the milieu of Fort McMurray, highlighting the complex relationships among the work camps, the oil companies, and the people living and working there. As the author recounts her time through several jobs, companies, and locations, she alternates the narration between the daily grind of the workers and the vistas of startling beauty surrounding them. She introduces each section by location and includes a list of the characters by job and home province, and she is careful to incorporate issues related to the local Indigenous peoples. After all, she writes, “the oil sands operate on stolen land.” Beaton captures numerous poignant, sometimes heartbreaking moments throughout the book, but the cumulative effect of her many stories is even more impressive. She creates an indelible portrait of environmental degradation, fraught interpersonal relationships among a workforce largely disconnected from home, and greedy corporations that seem only vaguely aware of the difficult work’s effect on their employees.
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Walking through the OPTI-Nexen camp at night, Kate hears a man playing guitar and singing a familiar maritime song alone in his room.
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