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Cosplay by country or region [ edit ] Cosplay in Japan [ edit ] The Jingūbashi ( Jingu Bridge) which passes over the Yamanote Line south of Harajuku Station, Tokyo, at the Meiji Shrine gate is a famous gathering place for cosplayers. Includes a visit of Akihabara (Japan), a geek Mardi Gras parade in New Orleans and a historic overview explaining the origin of cosplay. Some have argued that cosplay can never be a true representation of the character; instead, it can only be read through the body, and that true embodiment of a character is judged based on nearness to the original character form. Another form of body modification in which cosplayers engage is to copy any tattoos or special markings their character might have.

As a result, for example, costumed convention attendees can often be seen at local restaurants and eateries, beyond the boundaries of the convention or event. Awards may also go to the best skit and a number of cosplay skill subcategories, such as master tailor, master weapon-maker, master armorer, and so forth. Girls And Women Getting Out Of Hand: The Pleasure And Politics Of Japan's Amateur Comics Community". Some conventions throughout the United States, such as Phoenix Comicon [62] (now known as Phoenix Fan Fusion) and Penny Arcade Expo, [63] have also issued rules upon which they reserve the right to ask attendees to leave or change their costumes if deemed to be inappropriate to a family-friendly environment or something of a similar nature.

Cosplay has been closely linked to the presentation of self, [49] yet cosplayers' ability to perform is limited by their physical features. originally known as the Greater Columbia Fantasy Costumer's Guild, was launched after the 3rd Costume-Con (1985) as a parent organization and to support costuming. These views against non-white cosplayers within the community have been attributed to the lack of representation in the industry and in media. Liz Katz used her fanbase to take her cosplay from a hobby to a successful business venture, sparking debate through the cosplay community whether cosplayers should be allowed to fund and profit from their work.

The first Masquerade Ball held at San Diego Comic-Con was in 1974 during the convention's 6th event. Costuming guides of the period, such as Samuel Miller's Male Character Costumes (1884) [8] or Ardern Holt's Fancy Dresses Described (1887), [9] feature mostly generic costumes, whether that be period costumes, national costumes, objects or abstract concepts such as "Autumn" or "Night".Toward new horizons: Cosplay (re)imagined through the superhero genre, authenticity, and transformation".